Movies
[Final Report] TIFF ’11: Full Coverage, Reviews and Interviews!
After weeks of insane coverage, I’m excited to announce the conclusion of our Toronto International Film Festival coverage, which also included reviews and interviews from various “Midnight Madness” features.
Beyond the break you’ll find our breakdown of each film reviewed, along with link to interviews, images and even trailers (if available). If you’d like to see what else you’ve missed, click here for EVERYTHING.
Director: Julien Maury, Alexandre Bustillo
Starring: Marie-Claude Pietragalla, Catherine Jacob, Béatrice Dalle, Chloé Coulloud, Felix Moati, Jeremy Kapone
“It’s young Lucy’s first day as a trainee in-house caregiver. She visits Mrs Jessel, an old woman who lies in cerebral coma, by herself, in her large desolate house. Learning by accident that Mrs Jessel, a former dance teacher of repute, supposedly possesses a treasure somewhere in the house, Lucy and friends William and Ben decide to search the house in the hope of finding it. At night, they get into the house, which reveals itself to be increasingly peculiar. Their hunt for Mrs Jessel’s treasure leads them into a horrifying supernatural series of events that will change Lucy forever… ”
Director: Adam Wingard
Starring: Nick Tucci, Wendy Glenn, AJ Bowen, Joe Swanberg, Margaret Laney, Amy Seimetz, Ti West, Calvin Reeder, Larry Fessenden, Kate Lyn Sheil, Barbara Crampton, Rob Moran, Sharni Vinson
“In ‘You’re Next’ the Davison family comes under attack from a terrifying group of sadistic murderers during a family reunion getaway. Barricaded in their secluded vacation home, they fight off a barrage of axes, crossbows and machetes from both inside and outside the house. However, the masked killers didn’t count on Erin (Vinson), the young girlfriend of the eldest Davison son whose mysterious past has made her very difficult to kill.”
Director: Ben Wheatley
Starring: Neil Maskell, Michael Smiley, MyAnna Buring
“Eight months after a disastrous job in Kiev left him physically and mentally scarred, ex-soldier turned contract killer Jay, is pressured by his partner Gal, into taking a new assignment. As they descend into the dark, disturbing world of the contract, Jay begins to unravel once again – his fear and paranoia sending him deep into the heart of darkness.”
Director: Doug Aarniokoski
Starring: Shawn Ashmore, Ashley Bell, Cory Hardrict, Dominic Monaghan, Shannyn Sossamon, Andrew Coutts
“The film is a visceral action thriller with moral depth spanning 24 hours during which the ensemble cast is pit against insurmountable odds.”
Director: Alexandre Courtes
Starring: Rupert Evans, Kenny Doughty, Unax Ugalde, Dave Legeno, Anna Skellern, Richard Brake, Eric Godon, Joseph Kennedy, Marcus Garvey
“George, Max and Ricky are in a rock band and waiting for their big breakthrough. Between small gigs and rehearsals they work in the kitchen of a high-security asylum for good pay at minimum risk — they have no physical contact with the inmates. One night just before dinner time, a big storm shuts down the security system, the doors open and the lunatics break loose. Help is on its way and should soon arrive … they just have to survive until it does.”
Director: Eduardo Sanchez
Starring: Johnny Lewis, Alexandra Holden
“When newlywed Molly Reynolds returns to her long-abandoned family home, frightful reminders of a nightmarish childhood begin seeping into her new life. She soon begins an inexorable descent into evil that blurs the lines between psychosis and possession. From the director of ‘The Blair Witch Project.’”
Director: Justin Kurzel
Starring: Lucas Pittaway, Daniel Henshall.
“When 16-year-old Jamie is introduced to a charismatic man, a friendship begins. As the relationship grows so do Jamie’s suspicions, until he finds his world threatened by his loyalty for, and fear of, his newfound father-figure John Bunting, Australia’s most notorious serial killer.”
Director: Francis Ford Coppola
Starring: Val Kilmer, Bruce Dern, Elle Fanning, David Paymer, Ben Chaplin
“A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named V. He’s unsure of her connection to the murder in the town, but is grateful for the story being handed to him. Ultimately he is led to the truth of the story, surprised to find that the ending has more to do with his own life than he could ever have anticipated.”
Director: Pedro Almodovar
Starring: Antonio Banderas, Elena Anaya, Marisa Paredes, Eduard Fernández, Blanca Suárez, Fernando Cayo
“Ever since his wife was burned in a car crash, Dr. Robert Ledgard, an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. After twelve years, he manages to cultivate a skin that is a real shield against every assault. In addition to years of study and experimentation, Robert needed a further three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig…”
Director: Lars von Trier
Starring: Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Charlotte Rampling, Alexander Skarsgaard, Stellan Skarsgard, Udo Kier, John Hurt
“Dunst and Gainsbourg play sisters whose lives are drifting apart as the universe spectacularly unravels in what Von Trier describes as a beautiful movie about the end of the world.”
Director: Nick Murphy
Starring: Rebecca Hall, Dominic West and Imelda Staunton
“Haunted by the death of her fiancé, Florence Cathcart is on a mission to expose all séances as exploitative shams. However, when she is called to a boys’ boarding school to investigate a case of the uncanny, she is gradually forced to confront her skepticism in the most terrifying way, shaking her scientific convictions and her sense of self to the very core. Haunting and moving in equal measure, The Awakening is a sophisticated psychological/supernatural thriller in the tradition of The Others and The Orphanage, but with its own unique and thrilling twist. Starring Rebecca Hall, Dominic West and Imelda Staunton.”
Director: Joel Schumacher, USA (World Premiere)
Starring: Nicolas Cage, Nicole Kidman, Ben Mendelsohn, Cam Gigandet, Liana Liberato
“What happens when a man with everything – a beautiful wife, a teenage daughter and a wealthy estate – is confronted with the reality of losing it all? That is what Kyle Miller must come to terms with as he and his family become the victims of a vicious home invasion. Starring Nicolas Cage and Nicole Kidman.”
Director: Juan Carlos Fresnadillo, Spain (World Premiere)
Starring: Clive Owen, Daniel Brühl, Carice Van Houten, Pilar López de Ayala, Ella Purnell, Izan Corchero, Kerry Fox
“Juan and Mia, two children who live in different countries, are visited every night by a faceless intruder – a terrifying being that wants to get hold of them. These presences become more powerful and start ruling their lives as well as their families’. Anxiety and tension increase when their parents also witness these apparitions. Starring Clive Owen.”
Director: Randall Cole
Starring: Nick Stahl, Mia Kirshner, Devon Sawa
“Seen entirely from the point of view of hand-held and surveillance cameras, 388 Arletta Avenue tells the story of a couple, Nick Stahl and Mia Kirshner, who do not realize they are being watched. The watching becomes a subtle manipulation which ultimately escalates into a deadly cat-and-mouse game.”
Director: Gareth Evans
Starring: Iko Uwais, Doni Alamsyah and Yayan Ruhian
“A swat team is trapped in a run-down apartment block filled with heavily armed drug dealers and killers. The stakes intensify as the squad races within the maze of rooms and floors in the building, activating bone-crunching battles against the hive of vicious assassins. Starring Indonesian martial arts sensation Iko Uwais.“
In this day and age, the word “troll” is often used to describe various online nuisances. Yet as abundant and irksome as the modern troll can be, they aren’t usually as fearsome as their mythological counterparts. I’m not talking about the small and gentler versions that have become more common to see in media. No, there are much bigger and scarier trolls out there—and André Øvredal’s movie Troll Hunter is one of the best places to find them.
It doesn’t take long for Troll Hunter (or Trolljegeren) to dump the Blair Witch Project-esque setup and aim for something a lot fresher. The trajectory of the story is augmented by Otto Jespersen’s character Hans, the titular Troll Hunter. The second he comes barreling out of the deep, dark woods and shouts “troll” at the camera, this movie takes a turn into what feels like uncharted territory. Not only subject-wise, but also conceptually.
For fantastical and made-up subject matter in cinema, found footage is a fast way to add a guise of believability. After all, what we accept to be the most crucial aspect of documentaries—the truth—rubs off on pseudo-documentaries, despite our understanding of the pretense involved. That is what Øvredal delivered with Troll Hunter: a movie so convincing that some viewers wondered if trolls really do exist. So, had this been straightforwardly made, it likely wouldn’t have been as effective. Conventional narratives would be more inclined to treat something like trolls as flat out unreal, and never try to convince the audience to think otherwise.
Hans petrifies the three-headed Tusseladd troll.
The viewers, like the characters trailing Hans, are quickly thrown into the deeper end of that extraordinary story. They have to process all this new information while staying on the go. So, although there is no significant amount of meandering, narratively or physically, there is still a good amount of atmosphere, not to mention tension building. It’s never anything frightful, but then again, Troll Hunter isn’t your standard offering of horror; it’s more on the low end of the dark fantasy spectrum. We aren’t ever spirited away to a faraway world—we stay in rather familiar surroundings, as well as dip into those less so. The outcome is a movie where you’re constantly more in awe than in terror.
As fantasy fiction might do, Troll Hunter prefers not to deal with incredulity. There is no time to waste on doubt, as interviewer Thomas (Glenn Erland Tosterud), soundperson Johanna (Johanna Mørck), and cameraman Kalle (Tomas Alf Larsen) all follow Hans around, recording whatever this character is willing to reveal about his bizarre job. Of course, the Troll Hunter himself is not an open book; in that respect, the diegetic documentary fails to fully capture and unpack the more interesting of its two subjects. Yes, all those giant, monstrous trolls are indeed incredible, but understandably, your mind wanders to their pursuer. What kind of person signs up for this gig and then chooses to stick with it for so long?
Reviews have called out Troll Hunter for its lack of character development. In regard to Thomas and his fellow documentarians, that criticism is valid, but bear in mind, they aren’t the focus of the story, either. Meanwhile, Hans is a well-crafted character. At least better than first realized. Before he was introduced, Hans had already grown tired of the troll grind. Fed up with that low compensation for his services, resentful of the bureaucracy, and wanting to expose his employer on a large scale, Hans’ discontent is glaring.
Then there are those finer details about the Troll Hunter, such as that indifference to both the natural splendor of his everyday surroundings and the affections of an obviously smitten colleague, that also suggest some level of despondency. So it is fair to say this movie doesn’t feature any sizable growth for its characters; however, the namesake isn’t underwritten. No doubt, putting a real-life character like Otto Jespersen in that role is partly why Hans is so fascinating—maybe even relatable.
Otto Jespersen as Hans the Troll Hunter.
There is always a small risk whenever using the term “mockumentary” to describe a found-footage movie, as the word could imply humor where there is none. In the case of Troll Hunter, the term’s usage is appropriate. Some folks have claimed the English-dubbed version has the more comedic tone, however, the Norwegian cut isn’t exactly humorless. Apart from the trolls’ absurd appearances, this is a movie where the characters nearly choke on the monsters’ farts, and Christians are like walking targets. Hans’ complete apathy towards everything is another cause of laughter. Overall, the comedy is intentionally dry and inconsistent. Unfunny, though? Absolutely not.
In a movie where endemic creatures are maltreated, as well as disavowed from living freely and peacefully, it’s hard not to notice the ecological message buried beneath the story. In addition to that is the unmistakable political satire. There is this whole business about intrusive and unsightly power lines—like trolls, they’re big blemishes on the land—that leads to what is perhaps the movie’s funniest moment. The scene in question is that one where certain electric lines, the ones secretly being used to keep the trolls at bay, go in a loop and don’t actually send power to any residents. Yet the monitors of said lines don’t find this at all weird. So it stands to reason that Øvredal was having a go at those who accept the government’s doings without question.
Looking past the fact that trolls aren’t actually real, this movie is an enlightening source of information. And not just for international audiences; Norwegians, too, get schooled about their homeland’s own mythology. It’s also evident from everything on screen that Øvredal and his crew were enthusiastic about the topic. The creature designs are the most indicative of that zeal; those imaginative yet myth-accurate manifestations are equally amusing and grotesque. One second you’re laughing at their phallic noses, the next you’re white-knuckling during a hairy sequence. Most surprisingly is how well the trolls’ visual effects hold up after fifteen years. It’s not all spotless, but on the whole, they remain impressive.
Vouching for a mockumentary about trolls isn’t easy, but those who do come around and give it a shot will more than likely be grateful for the recommendation. For Troll Hunter is a real find in that vast and varied genre we call “found footage“.
A bridge troll reaches up for food and finds Hans decked out in armor.
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