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Casting Bites: More Unknowns Join ‘Devil’s Knot,’ “Mockingbird Lane” Has New Character

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Donnie Darko‘s Beth Grant (pictured inside) will play the part of Maryanne, a fortysomething woman who uses a wheelchair and is very suspicious of her creepy new neighbors, in NBC’s Mockingbird Lane, their upcoming reboot of “The Munsters”.

The actress joins a cast that includes Portia DeRossi and Jerry O’Connell as Lily and Herman Munster, Eddie Izzard as Grandpa, Mason Cook as Eddie and Charity Wakefield as Marilyn.

The pilot, written by Bryan Fuller and to be directed by Bryan Singer, begins when a baby bear attacks a scouting trip, only it turns out that this “bear” is actually Eddie transformed into a werewolf. Eddie is unaware of his metamorphosis and it forces the family to move in order to protect the family secret. The coming of age story gets weirder as he fights against his family when he learns of a shocker: they’re a family of flesh-eaters!

In other news, Variety reports that seventeen-year-old newcomer Seth Meriwether has been tapped to play West Memphis Three defendant Jason Baldwin in Atom Egoyan’s true crime drama Devil’s Knot, the pic’s second key role in as many weeks to go to an unknown thesp. He joins Reese Witherspoon and Colin Firth in the project that will be produced and financed by Worldview Entertainment. As Variety first reported last week, college drama student James Hamrick will make his feature debut playing key defendant Damien Echols.

Based on journalist Mara Leveritt’s bestselling book of the same name, “Devil’s Knot” follows private detective Ron Lax (Colin Firth), who took on the West Memphis Three case pro bono. He found DNA evidence linking Terry Hobbs (Alessandro Nivola), the stepfather of one of the three murdered boys, to material that was used to bind one of the victims — evidence that helped convince a judge to release Baldwin, Misskelley Jr. and Echols last year. Also starring are Mireille Enos, Collette Wolfe and Kris Polaha, while Amy Ryan and Dane DeHaan remain in talks to join the ensemble. Kristopher Higgins will join Meriwether and Hamrick as fellow West Memphis Three member Misskelley Jr.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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