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Genre Quartet Team for Horror Anthology ‘Chillerama’

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Bloody Disgusting’s BC writes in with a surprise announcement out of the FrightFest in London. Adam Green (Hatchet, Frozen) and Joe Lynch (The Knights of Badassdom, Wrong Turn 2) are teaming for a new horror anthology, CHILLERAMA, which also include the works of Adam Rifkin (Detroit Rock City) and Tim Sullivan (2001 Maniacs, Driftwood). You’ll find the first details inside!News reported by BC:

The plot details follow the last drive-in theater in America that’s closing its doors. The owner is having one final night. BC explains that it’s not like Creepshow in that it all fits together as one movie.

The shocker? Production is almost complete and we will hear more near end of the year.

Rifkin’s segment is entitled “Wadzilla”, which is in sprint of ’50s monster movies. It’s about a guy looking to raise his sperm count, and things going disastrously wrong. The special effects work are being done by Chiodo brothers (Killer Klowns from Out Space).

Sullivan is presenting “I Was a Teenage Werebear”, which is like ’50s surf movie (Beach Blanket Bingo).

Green presents “The Diary of Anne Frankenstein”, which is a ’40s war film starring Joel Moore (Avatar, Hatchet), Kane Hodder (Friday the 13th films, Hatchet), and Kristina Klebe (Halloween, BreadCrumbs). It’s about Hitler (played by Moore) creating the perfect killing machine to win the war.

Lynch will bring us a new zombie movie that’s in the vein of ’70s/’80s undead flicks. Lynch says the best way to sum it up is “when there’s no more room in hell, the dead will f*ck the earth.

There will be no further details until end of the year.

Green is going to show “Diary” in its entirety to the crowd at FrightFest, catching everyone off guard. Holy crap! Can you say jealous?

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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