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[13 Days Of Horror] Day 6: 12 Horror Games To Look Forward To Next Year, Part 2

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If I had to use a word to describe this countdown, I’d choose epic. I might also choose foamy because that’s a word I never get to use outside of Starbucks, where I like to yell “MAKE IT EXTRA FOAMY” at the barista. Yeah, I like my foam. As great as this year has been for horror fans, 2013 looks like it might be even better. That’s crazy, seeing as we’ve had three Silent Hills, three Resident Evils, two Alan Wakes (sort of), The Walking Dead, and a bunch of other games that all released with the sole purpose of making our lives just a wee bit better. Oh, and money. Actually, that was their main purpose.

Check out our epic conclusion to our countdown of the twelve horror games you should definitely have on your radar after the break.

6. Until Dawn

Horny teens? Check. Murderous masked psychopath? Check. Creepy secluded cabin surrounded by woods? Check and check. The teen slasher subgenre isn’t one that’s really made its way to our virtual world of bits and bytes, but soon, we’ll find out if there was a reason behind that. Until Dawn looks interesting enough, despite its depressing PS3 Move exclusivity. I’m not knocking the PS3 or the Move, I’m only saying that it’s a promising game that many gamers won’t check out because it’s for the Move. Still, it looks super neat-o.

5. Zwei

Oh, Shinji Mikami, you’re such a tease. First, you bring us amazing games like Resident Evil 4 and Shadows of the Damned, then you create your own studio and hint at a glorious return to the survival horror genre with a new project codenamed Zwei. After that, you tease us again with “an interest” in the open-world genre, before disappearing into wherever it is mad geniuses such as yourself go between press events and gaming expos. Come back. I need to hear more about this game, because if I don’t, my head will explode.

4. DARK

DARK is a game whose name implies a level of mystery, of horror, and most likely, a lack of illumination. I’m not a huge fan of stealth games, primarily because I’m dreadful at them, but this one has my interest. Well, it looks interesting, but when you jot down the bullet points it sounds terrifyingly similar to Vampire’s Rain. You have a stealth horror game starring vampires and lots of dudes with guns. Its super green futuristic art style looks cool, and I’m always up for a vampire stealth game redux. Hopefully, this one will surprise us all.

3. Sacrilegium

I hate this game’s name. Sacrilegium is not a fun word to say, nor is it memorable. It interests me because it’s a survival horror game, and as a fan of the aging genre I always feel the need to support a new one — but it’s also intriguing because it’s being developed by the studio behind the Two Worlds RPG series. I’d say more about it, but for the life of me, I just have no fucking clue what this thing is about. Maybe you have a lexicon with which to transcribe this bizarro synopsis: “The story follows a 20 year old woman and California college student named Alex across the world, from the misty shores of San Francisco to the fearsome and foreboding corners of the Old Continent. There Alex learns that assumptions can be lethally deceptive and that the seemingly safe modern world is but half of a chamber divided by a dark curtain… that beyond that opaque veil lies the embodiment of nightmares spawned into flesh.” It starts off simple enough, before quickly derailing into some nonsense about half a chamber that’s divided by a curtain, an opaque veil, and nightmares spawned into flesh. At least that last bit sounds like a line out of a Clive Barker novella, which I am all for.

2. Metro: Last Light

If you haven’t played Metro: 2033, you really should. It’s a fantastically creepy survival horror FPS set in a post-apocalyptic Moscow, as well as the labyrinthine subway system that lies beneath it. It’s genuinely creepy and thanks to some great source material, the story is better than your average shooter. Recognizing the series’ potential, THQ invested significantly more time and money into its sequel, Last Light, which looks to be shaping up quite nicely. I haven’t heard anything bad about it yet, but we won’t know for sure if it will live up to its predecessor until early next year.

1. Outlast

This game was only recently unveiled, but it looks great. It’s a new survival horror title that has a rather impressive creative team behind it, including some of the minds behind Assassin’s Creed, Prince of Persia, and Splinter Cell. Red Barrels Games’ co-founder Philippe Morin said “There are already a lot of great games out there about terrifying monsters that eat brains; we want Outlast’s to be scary because you’ll know the enemies you face still have them.” I’m just happy this isn’t another zombie game. I’m an avid supporter of the undead, but holy goddamn, that market has reached critical mass.

Missed a day? Check out the rest of the 13 Days of Horror:
Day 1: The 12 Best Weapons In Horror Games, Part 1
Day 2: The 12 Best Weapons In Horror Games, Part 2
Day 3: Our Premature Evaluation Of Black Ops II Zombies
Day 4: Why 2012 Has Been The Best (And Worst) Year For Horror
Day 5: 12 Horror Games To Look Forward To Next Year, Part 1
Day 7: Eight Games You Should Play This Halloween
Day 8: Dear Capcom, This Is What I Want In Resident Evil 7
Day 9: 12 Upcoming Zombie Games To Be Excited About, Part 1
Day 10: 12 Upcoming Zombie Games To Be Excited About, Part 2
Day 11: Why We Love Zombie Games
Day 11: Why We Love Zombie Games
Day 12: Comment To Win A Copy Of Resident Evil 6 And Other Awesome Swag
Day 13: Don’t Be Scared, It’s Just A Dead Pixels Halloween Podcast

Feel free to ever-so-gently toss Adam an email, or follow him on Twitter and Bloody Disgusting

Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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