Connect with us

Editorials

Here Are The Best Games Of The Year, As Chosen By The Bloody Disgusting Staff

Published

on

It’s that time of the year! 2012 has thrown everything it had at us, including a bevvy of highly anticipated games like Diablo III, Resident Evil 6, and Silent Hill: Downpour — but we made it. Many of us lost friends to the foggy town of Silent Hill, the demon-infested lands surrounding Tristram, or the eerie, deserted town of Night Springs, Arizona. It was tough, but the important thing is we survived. Sure, our social lives took a beating and our wallets are looking particularly thin, but the good news is we have about a month to save up before things pick back up.

In a continuation of our celebration of the glorious year for gaming that 2012 definitely was, the Bloody Disgusting staff has chosen our favorite games of the year. Check them out after the break.

Adam Dodd

Game of the Year: The Walking Dead (360, PS3, PC)
Gamertag: Baby Colada

I can’t say enough good things about Telltale Games’ The Walking Dead. It’s difficult to believe the first episode released way back in April, but what Telltale has done since then for storytelling in games, the adventure genre, and episodic gaming as a whole easily makes this my Game of the Year. This has been a great year. 2012 brought us games like Dishonored, Diablo III, and multiple installments in the Resident Evil and Silent Hill franchises, but choosing this was a no-brainer (pun intended). I can’t wait to see what Telltale does next.

TJ Taraszka

Game of the Year: Minecraft (360)

Minecraft 360. I know, with a lot of heavy hitters that came out this year, why Minecraft? 143 hours, that’s why. The only other game that comes close is 50 something hours put into Mass Effect 3’s multiplayer, and that is still low compared to Minecraft. There is something about the game that’s magnetic to me. When I’m sitting around thinking of what game to play, and I’m clueless, I always turn to Minecraft. Endless hours of pointless building makes me feel like a little kid playing with Legos and I love it.

David Harley

Game of the Year: Journey (PS3)

Claiming that Journey is merely a game is a huge disservice to thatgamecompany’s follow-up to Flower. From the moment your faceless, hooded character stands up in the desert until the end of your beautiful – and occasionally perilous – trek, Journey is an experience that encourages exploration and discovery and is the closest you will ever feel to living inside a painter’s masterpiece. It’s a game that needs to played multiple times, both with and without a partner, to enjoy everything it has to offer; single player provides a “stop and smell the roses” playthrough without the possibility of a randomly assigned, experienced partner rushing you to the level’s meditation point, but there is nothing more satisfying that chirping your way to your destination while solving puzzles and soaring through the air with a friendly, unknown companion. Using only four buttons, Journey provides a deep and emotional experience that will stick with you months after you finish.

Honorable Mentions: Resident Evil: Revelations (3DS), Xenoblade Chronicles (Wii)

Brad Miska

Game of the Year: NBA 2K13 (360)

NBA2K13 left my Xbox only for Halo 4, but soon returned. The graphics are a huge step up from previous years, and without a lockout all rookies were ready to go on opening night. The new version also tells you about new additions as you log in, and has a pretty cool professional mode where you can build your own character’s career. By buying it early I also got the All Star Weekend DLC that has an awesome Slam Dunk competition that plays out like Guitar Hero. And while last year we got all of the legendary teams, this year players can peg the 1992 Dream Team with the 2012 Olympic Team. Who’s the best? Duh, of course it’s any team with Michael Jordan on it… And a quick final note, Aliens is my most anticipated game of 2013. If its not my pick next year, I will be incredibly disappointed.

Tom Owen

Game of the Year: Halo 4 (360)
Gamertag: T4CO 2000

I’m sure this is a pretty typical pick and ends up at the top of many “best of” lists for 2012, but I’m going with Halo 4. Halo 2 was the first game I ever played on XBOX Live and for a long time was the foundation for many nights of excessive pizza and mountain dew consumption with friends. During these nerd fests we also made use of one of mankind’s greatest inventions, the Pizzazz. Halo 4 brought the return of all of it, even the Pizzaz was dusted off and put back in service for the first time in years. It’s far from perfect, but Halo has always been my go to game for casual n00b killing, no scoping, tea bagging, stress relieving fun, and I’m glad to have it back.

Jonathan “Sexiest Man O’ The Year Who Also Has A Luxurious Pelt” Barkan

Game of the Year: Silent Hill: Downpour (360, PS3)
Gamertag: Biz Rizzle

I’d have to go with Silent Hill: Downpour, simply because I didn’t really buy a lot of games this year. However, it was also a really solid game that I enjoyed a great deal.

Want more? Check out our FEAR Awards hub! If you’re still patiently waiting to choose your favorite games of the year, stay tuned, as voting for our fourth annual FEAR Awards will open very soon.

Have a question? Feel free to ever-so-gently toss Adam an email, or follow him on Twitter and Bloody Disgusting.

Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading