Editorials
[2013 HORROR MOVIE PREVIEW] OPEN ROAD
Open Road, headed by ex-Lionsgate exec Tom Ortenberg, has come out swinging. The studio is taking the genre by storm having already released The Grey, Silent Hill: Revelation 3D and Silent House.
Next year they’ll ramp things up having acquired not one, but 3 high profile genre films that all of us Bloody readers are jonzing to get our hands on.
We toast Open Road for their valiant entrance into theatrical foray and then pray it continues!
LIONSGATE & SUMMIT / PARAMOUNT / UNIVERSAL / SONY / LEFTOVERS & INDIE
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Dates Subject to Change
A Haunted House (January 11)
In an outrageous send up of the Paranormal Activity movies, The Devil Inside and other “found footage” movies, A Haunted House features young couple Malcolm (Marlon Wayans) and Kisha (Essence Atkins) who have just moved in to their dream house. As they settle in, they quickly find they’re not alone. But it’s not the house that’s haunted, it’s Malcolm’s girlfriend who is possessed by a demon. Malcolm hires everyone from a priest to modern day ghostbusters to rid her of this unwelcome intruder, determined not to let the evil spirit ruin his relationship… or, more importantly, his sex life.
The Last Exorcism 2 (March 1)
Continuing where the first film left off, Nell Sweetzer (Ashley Bell) is found alone and terrified in the woods. Back in the relative safety of civilization, Nell realizes that she can’t remember entire portions of the previous months only that she is the last surviving member of her family. Just as Nell begins the difficult process of starting a new life, the evil force that once possessed her is back with other, unimaginably horrific plans that mean herlast exorcism was just the beginning.
Machete Kills (TBD)
Danny Trejo returns as ex-Federale agent Machete, who is recruited by the President of the United States (Charlie Sheen) for a mission which would be impossible for any mortal man – he must take down a madman revolutionary and an eccentric billionaire arms dealer (Mel Gibson) who has hatched a plan to spread war and anarchy across the planet.
Editorials
Taking a Closer Look at the ‘Christmas Carol’ Ghosts of Ti West’s ‘Ebenezer’
The trailer for Ti West’s upcoming adaptation of A Christmas Carol raised a lot of eyebrows when it dropped earlier this week. While plenty of folks initially dismissed Ebenezer as a derivative project meant to cash in on the recent wave of unnecessary prequels that expand the backstory of beloved characters (such as 2023’s Wonka), Charles Dickens’ original novel already made a point of exploring Ebenezer Scrooge’s origins in detail – meaning that this new film is likely just a particularly faithful adaptation of the source material under a different name.
Couple that with the fact that the movie is being helmed by a genuine horror auteur and I think it’s safe to say that the latest iteration of the first modern ghost story is in good hands.
That being said, one detail that immediately jumped out at me during the brief teaser (other than a blink-and-you’ll-miss-it nod to Johnny Depp’s iconic bedroom death scene from the original A Nightmare on Elm Street) is the fact that many of Ebenezer’s ghosts appear to have been directly lifted from the iconic John Leech illustrations that accompanied the first edition of Dickens’ novel.
Here are a couple of stills from the trailer compared to the original artwork:

The Ghost of Christmas Yet to Come in ‘Ebenezer’ and ‘A Christmas Carol’

The Phantoms in ‘A Christmas Carol’ and ‘Ebenezer’

Marley’s Ghost in ‘Ebenezer’ and ‘A Christmas Carol’
Mainly working with old-school wood and steel engravings that would later be transferred to print, Leech was instrumental in crafting the iconic look of history’s most influential phantoms – especially since Dickens is said to have been deeply involved with the creation of these so-called “comic illustrations.”
And since the novel is commonly said to have popularized spiritualism in Victorian England, much of the ghostly iconography that we still see in genre media to this very day (including some of Ti West’s previous films) can be traced back to the author’s partnership with Leech.
Ebenezer won’t be the first A Christmas Carol adaptation to borrow heavily from these designs, but I can appreciate how Ti West is incorporating an important part of horror history into his latest film.
Ebenezer will be available in theaters starting November 13.





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