Editorials
[2013 HORROR MOVIE PREVIEW] DIMENSION FILMS
The Amityville Horror, Halloween 3D and Hellraiser never happened, again, so we sit back and watch as Dimension Films works out their 2013 slate without the iconic slashers.
Even without them, 2013 looks promising with the Blumhouse alien pic Dark Skies being the most intriguing. The question is as to whether or not they’ll get back into the groove and get us some franchise sequels, including a new Scream.
What film are you most looking forward to?
LIONSGATE & SUMMIT / PARAMOUNT / UNIVERSAL / SONY / LEFTOVERS & INDIE
CLICK ANY TITLE FOR SYNOPSES, TRAILERS, DETAILS & MORE STILLS (If Available)
Dates Subject to Change
Dark Skies (February 22)
Being produced by Blumhouse and Alliance Films, we’ve exclusively learned that the horror flick focuses on a 6-year-old boy who’s apparently been “marked” by an alien (living among us) for future abduction. It looks like it taps into some of the same themes of Fright Night, while also playing into child abuse (did the parents cause these marks on the child’s body?)
Scary Movie 5 (April 12)
The plot involves Three dancers — one veteran performer and two upstarts who are also best friends — vie for the lead in a new production from a snooty, aloof, imperious, and oversexed director. Scary Movie 5, which is said to be a reboot of sorts, will spoof: Black Swan, Paranormal Activity, Rise of the Planet of the Apes and 127 Hours.
Satanic (August 30)
With the rest of the campus home for the Thanksgiving holiday, Justine and a few of her friends spend the weekend in their college dormitory: studying, relaxing and blissfully unaware of the terror that is about to unfold outside in the cold. Suddenly, confronted by a gang of violent outcasts, Justine’s quiet long weekend becomes one long lesson in survival as her and her classmates are terrorized in increasingly bizarre and brutal ways, leaving it up to her to figure out who her attackers are…and if they can be stopped.
Sin City: A Dame To Kill For (October 4)
The film is about Dwight McCarthy planing to have his vengeance against the woman who betrayed him, Ava Lord, while Nancy is trying to cope with Hartigan’s death.
Aftershock (TBD)
In Chile, an American tourist’s vacation goes from good to great when he meets some beautiful women travellers. But when an earthquake ravages the underground nightclub they are in, a fun night quickly turns to terror. Escaping to the surface is just the beginning as they face the nightmarish chaos above ground.
The Amityville Horror: The Lost Tapes (January 3, 2014)
The Amityville Horror: The Lost Tapes showcases the events after the time of the original ‘The Amityville Horror’ book and movie through found footage dating back to 1976. An ambitious female television news intern, on the verge of breaking the most famous haunted house case in the world, leads a team of journalists, clergymen and paranormal researchers into an investigation of the bizarre events that will come to be known as The Amityville Horror … only to unwittingly open a door to the unreal that she may never be able to close.
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!







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