Comics
Late Review: ‘Comeback’ #2
As with any decent time travel story, Ed Brisson’s Comeback is not designed for the passive reader, but there’s no doubt that it’s worth the extra effort. Artist Michael Walsh’s purposeful lack of refinement occasionally detracts from an otherwise brilliant read – some faces are little more than handful of loose lines – but the pros outweigh the cons when all is said and done. Brisson’s wibbly wobbly, timey wimey narrative is so admirably ambitious that it’s easy to forgive the book’s visual shortcomings.

WRITTEN BY: Ed Brisson
ART BY: Michael Walsh
PUBLISHER: Image Comics
Price: $3.50
RELEASE: December 19th, 2012
“Comeback” #2 is all over the place, as far as time is concerned. RECONNECT, the shady company that ostensibly employs time traveling agents to rescue people who have died in the past, finds itself under the FBI’s microscope as their less-than-legal activities ping the radar of Agent Simon Tanaka. Meanwhile, RECONNECT agent Seth breaks the cardinal rule of time travel by meeting up with his former self to share some sensitive information and his poor partner Mark is seemingly trying to clean up everyone else’s messes.
Issue #1 gave readers more answers than questions and while #2 doesn’t come close to illuminating the mysteries of the first issue, it feels like Brisson is finding his rhythm as a storyteller. Time travel narratives are always a tricky business but “Comeback” #2 evolves in almost musical movements. You’ll probably still be a bit baffled by the end of it, but nonetheless, it’s a damn good good ride.
While Walsh’s line work could use a touch more polish , Jordie Bellaire’s colors are the issue’s crowning glory. There are moments of masterfully balanced chiaroscuro coupled with hues so vibrant, they practically bleed off the page. In the hands of a less adept colorist, Walsh’s artwork may have fallen flat, but Bellaire works her magic to elevate the overall aesthetic of “Comeback” #2 to greatness.
I’m hesitant to give too much away, but it’s definitely an issue worth getting your hands on. Brisson’s temporal acrobatics are a true delight and you’ll find yourself itching to give this many layered parfait of a comic a second read sooner rather than later.
Rating 4/5
Reviewed by MelissaGrey
Comics
A Tall Drink of Summer Terror: Peek Inside the Pages of ‘Hello Darkness’ #23 [Exclusive]
An ongoing horror anthology series from BOOM! Studios, Hello Darkness is back this summer with Issue #23, and BOOM! has provided Bloody Disgusting with an exclusive sneak peek.
The temperature rises and so does the body count, as the horror anthology series returns for another round of summer slashing in Hello Darkness #23, releasing July 22, 2026.
In “Sunday Pt. II,” Ryan North and Giada Belviso send a Bride of Christ over the deep end into madness.
Then, Rich Douek and Stevan Subic lead you down a bloody path to the old west, where a brash young gunfighter seeks a showdown with “The Man Who Outdrew Death.”
Sink into the cool, briny depths of Kelly Williams’s “Old Wounds” when a grizzled light housekeeper hears the call of the sea one final time.
And finally, serve up a preview platter of erotic thriller “Gastronomique,” as a royal spy, Lady Charlotte, embarks on a cat-and-mouse hunt for the deadly cannibal Tarrare, from Marguerite Bennett and Helena Masellis.
Beat the heat with an all-new pool of fresh nightmares and dive right into horror’s deep end!
Peek inside the bloody pages of Hello Darkness #23 below!
Horror fans rejoice in cadaverous delight, because Hello Darkness is a brand new ongoing anthology series featuring what BOOM! Studios is known for–the best in modern Horror, Fantasy, and Mystery, not to mention the darkest stories yet from a murderer’s row of world class creators. Everything from primal fears to modern political horrors will be explored, in the classic style of Creepy and Eerie and the contemporary chills of Black Mirror.











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