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This Freaky Art Is Like Getting A Human Anatomy Lesson From Clive Barker
For the most part, I just sort of glided through my high school career on a current of B’s. There were two classes that caused me quite a bit of trouble though, and they were math (ick) and biology. One day, while I’m daydreaming in the latter, the teacher tells us we’re going to be dissecting fetal pigs. Having been an avid horror movie fan since the ripe age of six, I figured a dead pig wouldn’t be a problem. “What’s that organ?” the teacher would ask me. “Why, that’s very obviously the spleen, as I saw it dug out of that screaming camper in Friday the 13th.” Then the class would cheer my name and I’d be popular forever. Of course, that’s not how it went down. Between the smell that erupted out of that foul creature after it was opened up and my alarming inability to tell one organ from the other, I failed.
What I’m trying to say is if you’re anything like me, then you probably need to brush up on your anatomy skills. Thankfully, artist CheeseLoueez has people like us in mind with his trippy art that covers organs, skeletal structure, and Isaac Clarke. Yeah, he’s there too.
You can follow CheeseLoueez’s work on Deviant Art, or if you’d like even more freaky art, check out the other artists we’ve featured here and here.
Have a question? Feel free to ever-so-gently toss Adam an email, or follow him on Twitter and Bloody Disgusting.
We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.
Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.
Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.
Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.
“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”
Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.
From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.
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