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Review: ‘Doomsday.1’ #1

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Doomsday.1 tells the post-apocalyptic tale of seven venturesome astronauts in the International Space Station who are forced to watch as a massive solar flare annihilates most of the Earth. Inspired by Joe Gill’s “Doomsday + 1” which was released nearly four decades ago, this four issue miniseries is brought to life by IDW Publishing and original series illustrator, John Byrne; but without the fantasy elements of the original series. Taking the reigns as both writer and artist this time around, Byrne delivers an honorable, though inordinately exhaustive, opener to the series.

WRITTEN BY: John Byrne
ART BY: John Byrne
PUBLISHER: IDW Publishing
PRICE: $3.99
RELEASE: May 19th, 2013

As far as monotonous scenarios go, “The End of the World as We Know It” trope is very commonplace in fiction, but there is a copious amount of ways in which apocalypses can actually manifest. Moreover, the magnitude of these apocalypses can be measured on two sliding scales of scope and severity. The former deals with the size of the destroyed “world”, and the latter determines to what extent the world actually “ends”.

In John Byrnes “Doomsday.1” #1, the narrative begins high up in the International Space Station as astrophysicist Dr. Hikari Akiyama discovers that a massive solar flare is heading straight toward the blue planet. Minutes before the flare’s impact centres on the Indian Ocean, the ISS crew launch their shuttle away from the station and orbit the Earth until the firestorms, which are completely engulfing it, burn out. They finally land “home” where the scope of the destruction is on a planetary level, in that the vast majority of planet Earth is destroyed. The severity of such a catastrophe results in species extinction and physical annihilation. Most species are almost completely wiped out, save for a low population of people.

This installment weighs in at 32 pages, and offers an extensive amount of explanatory and descriptive dialogue that lays the foundation for the overall narrative and introduces a huge cast of characters. This level of comprehensiveness in a single issue seems overwhelming considering the common decompressed style of storytelling in comics, but it does make for a complete reading experience, regardless of the fact that at times it feels like the characters are just being made to spit out information for the readers. But, Byrne writes a secure and established story with four interesting side-plots that steal the issue, and will surely weave their way into the main storyline.

These side-stories take the readers to Washington where the President breaks the news to the American public. We go from the Vatican where the pontiff and his men are fleeing, to Southeast Texas where a violent prison riot seems to be in its early stages, and finally to a submarine crew attempting to wait out Armageddon at the bottom of the ocean somewhere near New Orleans.

The artwork by Byrne is reminiscent of old-school comics of the 70’s, and while his style is not something that seems to go hand-in-hand with this particular subject matter, his impressive attention to detail makes up for it. His work is so thoroughly detailed when it comes to the background that the foreground sometimes plays second fiddle to what’s behind it. His knack for nailing facial expressions and perfectly executing body language to convey certain emotions effectively is commendable. And his recreation of the Vatican is stunning; even more so thanks to the colours by Leonard O’Grady. Overall, O’Grady seems to have chosen a light colour palette which doesn’t necessarily go with the feel of the series. If he follows suit with the colouring job he did on Byrnes regular cover for issue #1, it would have been a huge improvement.

All in all, “Doomsday.1” #1 doesn’t offer much in terms of innovating the End of the World trope, but it has the potential to take readers on a dramatically engaging adventure with all the stories it’s weaving. Cliché as they may be, the characters are surprisingly, and refreshingly, diverse. Readers will be looking forward to discovering more about them, as well as what remains on post-apocalyptic planet Earth.

3.5/5 Skulls

Reviewed by – ShadowJayd

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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