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The Treasure Is the Trailer For ‘A Field in England’!

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HOLY CRAP. We now have the UK trailer for A Field In England, the fourth feature film from writer/director Ben Wheatley, whose credits include the highly acclaimed tour-de-force thriller Kill List, the Edgar Wright-produced 2012 Cannes Film Festival selection Sightseers, and a segment in anthology horror film The ABCs Of Death.

Billed as “a psychedelic trip into magic and madness,” A Field In England follows a group of English Civil War soldiers in the 17th century who are captured by an alchemist and led into a vast mushroom field, where they fall victim to violent and nightmarish forces. A theatrical and VOD release is planned for 2013. Fans can connect with A Field In England on tFacebook and can also download a free track from the soundtrack by Jim Williams.

Drafthouse Films, the film distribution arm of the Alamo Drafthouse Cinema, recently acquired the North American rights.

With a new feature, the 8-figure-budgeted sci-fi/action epic Freak Shift, currently in pre-production, Wheatley and producers Claire Jones & Andy Starke assembled A Field In England with financing via Film4’s talent and ideas arm Film4.0 headed up by Anna Higgs. The film stars Reece Shearsmith (“The League Of Gentlemen”), Kill List‘s Michael Smiley andfeatures Julian Barrett (“The Mighty Boosh”) in a small role.

Wheatley’s work has been lauded by both critics and moviegoers, placing him at the forefront of a new-wave in contemporary cinema emerging from the festival circuit dubbed “art-house horror.” Chris Hewitt of Empire Magazine has proclaimed, “in only three years, Ben Wheatley has gone from unknown to one of the UK’s most exciting, hilarious and most violently disturbing filmmakers.”

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Movies

‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glen Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glen Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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