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Help Music Video Director Michael Panduro And Get Unreleased Music!

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There are a handful of music video directors whom I truly admire and always look forward to seeing their work. Mitch Massie, the man behind “Forced Gender Reassignment“. Phil Mucci, who did Stone Sour‘s “Do Me A Favor“. And then there is Michael Panduro, who directed two music videos that we at Bloody-Disgusting got to premiere: Cephalic Carnage‘s “Ohrwurm” and “Tarnished Gluttony” from Job For A Cowboy.

Panduro’s work always has a very high budget look and is never afraid to go in as close to the meat and bones (pun intended) as necessary, while also having the strength to pull back and expose the entire scene. Then there is the fact that he seems to be able to tackle any story with the same amount of intensity and commitment as any other project. There is a signature to his style, something that makes me able to watch a video and think, “This is definitely done by Michael Panduro.” It’s like hearing a particular guitar tone and knowing right away, even without hearing a single word, “This is [insert band name here].”

And now Michael needs our help. With all the amazing horror-influenced music videos and short films he has produced, Panduro has turned his eye to making Postpartum, a full-length feature horror film that he describes as a “Cronenberg’s “The Brood” mixed with Von Trier’s “Antichrist”“. Panduro has launched an IndieGoGo and some of the perks might very well pique your interest, especially the Postpartum Mixtape, which features tracks from Job For A Cowboy, Cephalic Carnage, Rwake, Saint Vitus, and more.

Head on below for a proof-of-concept for Postpartum as well as the cover art for Postpartum Mixtape.

Postpartum Mixtape track listing:
Abscission — “Nonexistent”
Bless Yr Heart — “Postpartum Song” (previously unreleased)
Cephalic Carnage — “Ohrwurm”
Denial of God – “Behind the Coffin’s Lid”
Doubestone – “An Omen”
Fuck The Facts — “Power Violent” (previously unreleased)
Greber — “Corroding the Blockades”
Helhorse – “So Many Drugs, So Little Time”
Job For A Cowboy — “Tarnished Gluttony”
Kount Rotttula – “Fiend Unleashed (Iron Bitchface Cover)” (previously unreleased)
Kanylemassakren — “Xaxao”
Medeia – “Death Orientation” (previously unreleased)
Merdarahta — “Breathe”
Nasum — “Mass Hypnosis” / “This is…” / “The Masked Face” (Live from Roskilde 2012 — previously unreleased)
The Psyke Project — “Guillotine”
Retox — “I Rub The Wrong Way”
Rwake — “The War Against the Christians” (previously unreleased)
Saint Vitus — “I Bleed Black”
ScreamerClauz — “Rapist Beware”
ZEUS! — “Sick and Destroy” (feat. Justin Pearson)

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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