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5 Most Awesome Giant Monster Movies From ‘Big Ass Spider!’ Director Mike Mendez!

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Epic Pictures will be releasing Big Ass Spider!, the movie that features a giant arachnid terrorizing Los Angeles, on digital download, DVD and Blu-ray tomorrow, January 7.

In Mike Mendez’s (Real Killers, The Gravedancers) creature comedy, “The unlikely heroic duo of a blue-collar exterminator (Greg Grunberg) and Latino security guard (Lombardo Boyar) must save the day when a giant spider escapes from a military lab and rampages the city of Los Angeles.

To celebrate the release, Bloody Disgusting caught up with Mendez who shared his picks for “5 Most Awesome Giant Monster Movies”!

1. Them

“Giant ants are pretty cool and you get the military versus giant ants. The effects were very innovative for the time. It’s one of the classics. Plus it was the beginning of the atomic age monsters. Also a great cast like James Arness & Fess Parker.”

2. Tremors

“It’s not necessarily a giant monster movie, but it is a large monster, so I’m going to count it. I love the blend of horror and comedy, plus it has Kevin Bacon. Who doesn’t love that?”

3. King Kong (1933)

“For me, the effects still hold up to this day and it has some of the most iconic imagery of any giant monster movie. It was a very big influence on “Big Ass Spider.””

4. Deep Rising

“The movie is a good time. Another genre blend. It jumps between being scary and funny from moment to moment, but keeps a solid balance of the two. Plus Treat Williams seems like he is doing his take on Jack Burton from “Big Trouble in Little China”.”

5. Cloverfield

“Very clever update of the giant monster movie, plus I think it’s one of the better found footage films. Innovative camera work and breakneck pace make it for a very fun ride.”

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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