Editorials
8 Horror Games We (Probably) Won’t See Until 2015!
Earlier this month, we took a gander at the most anticipated horror games of 2014. We laughed, we cried, we reminisced about what’s shaping up to be a fantastic year to be a horror fan. Almost all of them are practically guaranteed to arrive before the next New Year comes along, and they’re all fine reasons to be excited 2014’s offering of horror games. Keep in mind, it’s only January, so we still have several months worth of still-secret projects left to look forward to hearing from.
I’m already plenty excited for 2014, but as we look to the future, I can’t help but wonder about the games we’ll see in 2015. Read on for my list of eight horror games we (probably) won’t see until 2015!

I figured we’d go ahead and get the two games on this list that we already know aren’t arriving until 2015 out of the way first. Let’s start with “SOMA”, a mind-bending sci-fi horror game from Frictional Games, the makers of Amnesia: The Dark Descent. It’s being made with the intention of “chilling you to your core,” and seeing as it’s being crafted by the team that brought us one of the scariest games of all time, if any studio can accomplish that, it’s Frictional.

When I look at nightmarish horror game “Kodoku”, the primal part of my brain wants to fear it, to run away from the things I’m seeing, because they just aren’t right. With that said, this game looks terrifying, and amazing, but mostly terrifying. It also has a fantastic Japanese style aesthetic to it that draws me in, not unlike a Siren’s call, probably so it can do unmentionable things to me as soon as I’m within grabbing distance.
I think I’m all right with that.

We know it’s coming, and we even know why it’s taking so long, but all that knowledge isn’t making this wait any less painful. There are few franchises that have has as much influence on this industry as “Doom”, and I think I speak for everyone when I say this game cannot come soon enough.

Undead Labs has been teasing us with “Class 4” since long before “State of Decay” even released. They’re describing it as a (now Xbox exclusive) zombie survival MMO that expands on the world, mechanics, and gameplay of their fantastic XBLA game. “State of Decay” set the stage, creating a foundation for something far more ambitious, and its follow-up promises to take it all to the next level, starting with the much-requested addition of co-op.
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!
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