Comics
Review: Undertow #4
Anshargal’s been gone for two days. The crew of The Deliverer grows wary. On the surface the Amphibian’s loose grip on sanity grows even more intense. Steve Orlando turns the screws of tension to the breaking point in “Undertow” #4.
WRITTEN BY: Steve Orlando
ART BY: Artyom Trakhanov
PUBLISHER: Image Comics
PRICE: $2.99
RELEASE: May 21, 2014
There is some serious pressure on every side of this story. Things are going to come crumbling down for our intrepid revolutionaries. Trusting the Amphibian is forced decision with no real alternatives that doesn’t seem like it will play out well. Yet, despite the characters charming insanity there seems to be a method to his madness. How did he develop the way he did? And does he hold the key to surviving on land?
Orlando does a fantastic job at dodging the answers to these questions just yet. He’s built the narrative on a leaning tower of trust all centered around one man. Yet, that tower is starting to wobble and within the next issue everything should come toppling down. It’s compelling as ever but also incredibly nerve wracking. You fully understand almost everyone’s perspective save for the Atlanteans. Something I’m certain we’re about to get a lot more of.
Artyom Trakhanov’s art is nothing short of a revelation in his issue. His rich neon pastel like colors are a beautiful compliment to the story. The scene in the middle of the issue on land, during the bright day is beautiful albeit filled with death. Trakhanov’s ability to handle the delicate balance between drama and action is smooth and comes to a head in a particular scene with the Amphibian this month. There is a certain brutality to the art that is made softer with the color. It’s hard to look at and impossible to avert your gaze.
So far “Undertow” has been a tightly crafted adventure about where we go after we leave home. Everyone likes to put a mark on the map and say they contributed something huge to life itself. Few succeed. This is the heart of “Undertow.” It’s relatively impossible to predict success given the insurmountable odds stacked against Ukinnu and Redrum, but damn if that’s not what makes it so compelling.
You want these Atlanteans to succeed. Except they’ve entrusted an insane bastard of a creature to lead them further away from home in an attempt to save their own lives. It’s an interesting premise heading toward the finale of the series that will certainly test every character’s strength of will. I have no idea what lies in wait for us atop those mountains, but I certainly cannot wait to find out.
Comics
‘Curse of the Where Wolf’ Bites Into August Release With Trio of Werewolf Theatrical Screenings [Exclusive Preview]
Larry Chaney‘s hairy misadventures are continuing in the sequel graphic novel Curse of the Where Wolf from creative team Rob Saucedo, Debora Lancianese, and Jack Morelli, and its author is celebrating with a trio of horror’s greatest werewolf films.
The Curse of the Where Wolf hits shelves on August 7 from Encyclopocalypse Publications.
That coincides with the launch of a theatrical screening event in Houston, Texas, featuring a trio of seminal werewolf flicks turning 45 this year: The Howling on August 7, Wolfen on August 14, and An American Werewolf in London on August 21.
Each screening features a “werewolf in film” presentation as well as a book signing from Where Wolf author and River Oaks Theatre artistic director Rob Saucedo.
In the new graphic novel, “Being a werewolf sucks. Reporter Larry Chaney wanted to be a hero. Instead, he became a werewolf. Now, caught between incredible new powers and a desire to eat everything (and everyone) in sight, Larry must find a cure for his curse. Or die trying.”
“With Where Wolf, I wanted to tell a whodunit set in a furry convention, so the story was pretty contained within a very specific setting and genre. With Curse of the Where Wolf, I wanted to celebrate everything I love about the possibility of comic books. Curse of the Where Wolf is a funny book, in every sense of the phrase, but it’s also an earnest look at a person’s struggle to become a better version of themselves, especially when the alternative is to become a literal monster,” Saucedo says of Curse.
The original graphic novel was previously serialized as the first webcomic hosted on Fangoria before being collected by Encyclopocalypse Publications in 2023 and has already been optioned for film, podcast, and television development ahead of launch by producers James Fino (“The Freak Brothers” for Tubi, “Rick and Morty” for Adult Swim) and Charles Horak (First Date for Magnolia Pictures).
Expect Larry to find himself in even weirder situations in the 362-page full color sequel; Saucedo has provided Bloody Disgusting with exclusive art pages from the upcoming graphic novel that showcase lupine humor.
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