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[Live Review] Brody Dalle Deafens LA’s Troubadour

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Last week I took a quick break from the movies section to review Diploid Love, the new Brody Dalle (formerly of The Distillers and Spinnerette) record. It wasn’t an assignment, just one of those albums that came along that I happened to get really into so figured I’d share my enthusiasm.

Last night I caught Dalle’s show at the Troubadour in West Hollywood. I was unsure what I’d be getting, the American punk stylings of The Distillers or the more melodic, slightly ethereal, aesthetic of her new record. The answer, it turned out, was a perfect blend of both. Opening with “Rat Race” and “Don’t Mess With Me,” it was clear that her voice was as strong as ever and that her new band featured capable musicians who could not only play the material, but elevate it to a deafeningly loud arena-polished level (often a rarity in punk music).

All was well and good for those first two numbers and then the band launched into “I Am a Revenant” from The Distillers’ Sing Sing Death House at which point the crowd, for lack of a better expression, went f*cking apesh*t. I’ve lived in LA for nine years and have gone to my fair share of shows and it’s usually industry types and heavily affected hipsters just standing there with their arms folded. While there was some of that here around the periphery, this was the first time I’ve seen an actual pit break out in years. Dalle and her band kept up the pace with Coral Fang’s “Die on a Rope” and successfully peppered in material from Diploid Love among their older hits throughout the evening.

The energy never flagged during the set. While fans naturally saved their most rapturous responses for the familiar older material, the new stuff went over incredibly well. The evening’s most powerful moment came during Diploid Love’s closer, “Parties For Prostitutes.” The lone slow number in a deafening set, it showcased Dalle’s voice as the loudest, most powerful instrument onstage. Her new material may be less propulsive, but it’s heads and tails more melodic with a wider palette of emotion. It was refreshing to see something like “Prostitutes” pulled off with both volume and nuance.

In punk rock fashion the show ended almost exactly an hour after it began, defiantly and without an encore (but with a confetti cannon blast). None was needed. Dalle got on, made her point and got off – adhering to one of the oldest showbiz axioms “leave them wanting more.”

Brody Dalle heads out on a North American tour with Queens of the Stone Age next month. Get there early. You can buy Diploid Love on iTunes. Thanks to Raymond Lew for the pic!

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‘The Lost Boys’ Musical Extends Broadway Run With North American Tour Set for Spring 2028

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The Lost Boys: A New Musical officially kicked off on Broadway last month, and Deadline now reports that the show’s Broadway run has been extended into next year.

The show was originally set to run through November, but Deadline reports that The Lost Boys: A New Musical “has released a block of tickets through Sunday, March 7, 2027.”

The news comes in the wake of The Lost Boys: A New Musical becoming the most Tony-nominated musical of the season with twelve nominations including Best Musical.

Additionally, “The Lost Boys will launch a North American National Tour in Spring 2028, at Playhouse Square in Cleveland. Additional cities and tour dates will be announced later.”

The Lost Boys: A New Musical is of course an adaptation of the 1987 horror classic from director Joel Schumacher, with the cast including Ali Louis Bourzgui as lead vampire David (originally played by Kiefer Sutherland), Maria Wirries as Star (originally played by Jami Gertz), and LJ Benet as the soon-to-be-turned Michael (originally played by Jason Patric).

The horror musical’s cast also includes Shoshana Bean as Lucy Emerson, Benjamin Pajak as Sam Emerson, Paul Alexander Nolan as Max, Jennifer Duka as Alan Frog, Miguel Gil as Edgar Frog, Brian Flores as Marko, Sean Grandillo as Dwayne, and Dean Maupin as Paul.

The Lost Boys: A New Musical is Directed by Michael Arden, featuring Music and Lyrics by The Rescues, Book by David Hornsby & Chris Hoch, Story by James Jeremias & Janice Fischer, and Produced by James Carpinello, Marcus Chait & Patrick Wilson (The Conjuring) by special arrangement with Warner Bros. Theatre Ventures.

When a mother and her two teenage sons move to Santa Carla in desperate need of a fresh start, they soon uncover the darker side of this sunny coastal community. While Lucy tries to piece her family’s life back together, Michael keeps pulling away in search of belonging.

As he finds connection with a local rock band and its charismatic leader, his younger brother Sam comes face-to-face with a terrifying reality: When night falls, Michael’s new friends are even more dangerous than they first appeared.

Joel Schumacher directed the original The Lost Boys vampire movie in 1987, wherein two brothers move to a new town and discover that the area is a haven for vampires.

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