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[Remake vs. Remake] ‘Dawn of the Dead (2004)’ or ‘The Blob (1988)’?

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In last week’s Remake vs. Remake segment I pitted Dawn of the Dead (2004) against the much maligned Fright Night (2011). While I don’t dislike that version of Fright Night as much as I used to, there’s no doubt that Zack Snyder (aided by James Gunn’s script) trounced it thoroughly in this bracket with his take on Romero’s 1978 masterpiece.

Singing my many praises of Dawn, I forgot to mention that one of the reasons I feel the movie works so well is that it largely abandons the structure, tone and characters of the original film. It doesn’t try to compete on that playing field, instead taking the basic premise – zombies in a mall – and doing its own thing with it.

But what happens when you pit the Dawn of the Dead remake against Chuck Russell’s now classic 1988 take on The Blob? You have bracket of riches. Like John Carpenter’s remake of The Thing in 1982, The Blob was a commercial dud. Also like John Carpenter’s remake of The Thing, it has subsequently gone on to be celebrated and is now many fans’ favorite installment in the franchise (or “ongoing IP exploration”, if you will).

While I greatly enjoy Dawn of the Dead, I think The Blob is a movie I could probably watch 20 times a year. Russell and his co-writer Frank Darabont were hot off A Nightmare on Elm Street 3: Dream Warriors and it turns out that that (admittedly very good) film was just a dry run for what they’d be able to pull off with The Blob. Not only does the film have some of the most intensely entertaining and inventive kill sequences of the 80’s, it strikes a pitch perfect tone. Seriously, this is a horror movie that it actually feels good to watch!

The setting is perfect, Arborville might be in my list of the top 10 fictional places I’d like to live. The characters are smart (enough) and the plot chugs along quickly without ever sacrificing detail or atmosphere. The film has a fantastic sense of humor that is perfectly juggled, never bogging down the scarier elements. Even the stinger at the end contains a nice sociopolitical element. The movie also isn’t afraid to kill off perfectly decent, lovable characters with some of the most outstanding gore effects of its time.

At the end of the day, I still love Dawn of the Dead but The Blob might be one of only three remakes in my top 20 horror movies of all time. It’s hard to compete with that. Blob wins… for now.

How about you?

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Editorials

6 Underrated Alien Invasion Thrillers To Watch After ‘Disclosure Day’

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alien horror movie - Underrated Alien Invasion Thrillers
Extraterrestrial (2014)

It’s been 75 years since The Thing From Another World first warned us to “watch the skies”, and filmgoers have done just that by showing up to multiple instances of extraterrestrial contact on the big screen. This makes sense, as a recent CBS news poll estimated that 63% of Americans believe in intelligent life on other planets, and the ongoing disclosure movement aims to raise that number with each passing day.

With Steven Spielberg’s Disclosure Day leaving many genre fans hungry for more alien footage (preferably of the spooky variety), today I’d like to share a list recommending six underrated alien invasion thrillers for your viewing pleasure. After all, regardless of whether or not you believe that we’re alone in the universe, it can be fun to dream about the worst-case scenario if our cosmic neighbors ever decide to visit.

For the purposes of this list, we’ll be focusing on lesser-known invasion stories rather than the popular extraterrestrials of franchises like Alien and Close Encounters of the Third (or even Fourth) Kind. That being said, don’t forget to comment below with your own alien favorites if you think we missed a particularly thrilling movie.

While it won’t be featured in this article, I’d highly recommend checking out Dean Alioto’s UFO Abduction/The McPherson Tape if you’re up for some ufology-inspired found footage thrills.

With that out of the way, onto the list!


6. The Arrival (1996)

Not to be confused with Denis Villeneuve’s Academy Award-winning Amy Adams vehicle about learning to communicate peacefully with extraterrestrial life, David Twohy’s The Arrival is a much more straightforward (but no less entertaining) genre romp where Charlie Sheen faces a global conspiracy involving hostile alien invaders.

It’s not exactly up there with Close Encounters or even Independence Day, but Twohy’s conspiratorial thriller plays out like an exceptionally fun episode of The X-Files that I’d recommend to sci-fi/horror fans who don’t mind a little bit of wonky CGI and 90s excess alongside their alien thrills.


5. Extraterrestrial (2014)

The Vicious Brothers made a name for themselves with the success of 2011’s Grave Encounters, but that was far from the Canadian duo’s only collaboration. And while it’s not exactly a fan favorite, I always point out 2014’s Extraterrestrial as one of their most underrated projects simply because I agree with the filmmakers’ opinion that there aren’t enough ‘cool alien abduction movies’ out there.

Admittedly, the majority of the picture functions like a run-of-the-mill creature feature with paper-thin characters and familiar horror tropes, but I’d argue that the cosmically-terrifying final act elevates the experience to new and memorable heights. The movie also boasts great performances by both Michael Ironside and Emily Perkins – a combination that more than makes up for the occasionally janky CGI.


4. Alien Raiders (2008)

Alien Raiders

Director Ben Rock has gone on record lamenting how his John-Carpenter-inspired creature feature was forcefully renamed from Supermarket to the painfully obvious Alien Raiders (a change which likely resulted in many potential viewers skipping out on the experience), but the new title doesn’t change the fact that this single-location thriller is something of a hidden gem.

Taking place entirely within a supermarket, Alien Raiders tells the story of an ensemble of customers and employees who are taken hostage by a group of armed men looking for something far more dangerous than an easy payout. I won’t get into details in order to avoid spoiling the experience, but I’d highly recommend this criminally underseen flick to fans of John Carpenter and the Resident Evil games.


3. Phoenix Forgotten (2017)

You’d think that a Ridley-Scott-produced retelling of one of the most infamous real-life UFO sightings of all time would have a bigger following, but I rarely see Justin Barber’s Found Footage period piece brought up during discussions about extraterrestrial-focused horror movies.

This is a huge shame, as Phoenix Forgotten is just as spooky as it is convincing, with this well-researched dive into the Phoenix Lights incident benefiting from surprisingly believable special effects as well as an appropriately horrific finale.


2. Communion (1989)

I wouldn’t blame you for disregarding Whitley Strieber’s controversial book about his alleged close encounter as sensationalist slop, but I’d argue that Phillipe Mora’s 1989 adaptation of these events is much better than the source material. After all, the movie works as a standalone piece of speculative fiction while also benefiting from an incredible performance by the one and only Christopher Walken!

Mora’s take on Communion may not be particularly scary, but the film is still an unforgettable character study regardless of whether or not the abduction really happened. Not only that, but the flick also paved the way for plenty of future sci-fi stories where the extraterrestrial invaders aren’t as evil as they initially appear.


1. Altered (2006)

Originally envisioned as a Sam Raimi-style horror-comedy titled Probed, Eduardo Sánchez (of The Blair Witch Project fame) eventually realized that it would be much more interesting to turn the film into a serious exploration of the emotional aftermath of a traumatic abduction incident.

That’s how we got Altered, a clever inversion of the standard abduction narrative that follows a group of troubled friends as they capture and experiment on an alien in order to enact revenge for their own abduction years prior.

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