Movies
‘Prometheus’ Sequel Promises An Even More Dangerous David…
Ridley Scott’s Prometheus concluded with Elizabeth Shaw (Noomi Rapace) heading off into deep space to find the Engineers’ home planet, and make them answer for what they planned to do to the human race (destroy it).
But she wasn’t going alone, bringing along the android David’s head (played by Michael Fassbender).
In an interview with MTV, Scott reveals character plans for the sequel, which is currently in the scripting process.
“You have to. You can’t have a person go off into the galaxy and have a person who’s still got his head off. Once that head goes back on, he’s really dangerous, but he’s also very seductive. So maybe he’ll persuade her to help him put the head back.”
It’s sort of fun knowing the danger of David’s presence is going to grow – and you wonder how that will factor into the head-to-head collision between Shaw and the Engineers.
Netflix is reuniting with Emilia Perez director Jacques Audiard on an adaptation of French horror novel La Nuit ravagée, Variety reports today.
The project is described as an elevated horror film based on the critically acclaimed horror novel by Jean-Baptiste Del Amo.
It’s set in “Saint-Auch, a fictional suburb on the outskirts of Toulouse in Southern France, in the early 1990s. It follows a group of teenagers drawn to an abandoned house that exerts a strange power on them. After one of their friends dies under disturbing circumstances, they decide to enter the house, not suspecting it’s alive with something supernatural. Once they enter it, it begins to feed on their private fears, desires, and traumas, turning their psychological vulnerabilities into something monstrous and inescapable.“
The French-language Netflix original marks Audiard’s first foray into horror.
The divisive Emilia Perez, Audiard’s Spanish-language musical crime drama, amassed 13 nominations at the 97th Academy Awards but also met with controversy when offensive tweets by star Karla Sofía Gascón during the film’s award campaign.
Del Amo’s source novel was published last year and has been described as an homage to ’80s and ’90s horror in the vein of Stephen King, though its social realism is what lends itself to the elevated horror concept and Audiard’s attachment to the project.
Stay tuned for more as it arrives.
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