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Wes Borland Tells The Tale Of “Avenged Sevenfold’s Logo Before He Died”

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When he’s not being a terrifying looking guitarist on stage with Limp Bizkit or fronting the avant garde project Black Light Burns, Wes Borland is working on his incredible art, much of which has been used by other bands/projects, including Fear And The Nervous System‘s debut album.

Yesterday, Borland took to Instagram and posted five drawings that tell the story of Avenged Sevenfold‘s logo…before he died, that is. It’s a short story that demonstrates the difficulties of being different because, well… you have freakin’ bat wings sticking out of the side of your head.

Check out the rather humorous story below.

A photo posted by Wes Borland (@thewesborland) on

A photo posted by Wes Borland (@thewesborland) on

A photo posted by Wes Borland (@thewesborland) on

A photo posted by Wes Borland (@thewesborland) on

A photo posted by Wes Borland (@thewesborland) on

Managing editor/music guy/social media fella of Bloody-Disgusting

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‘A Man in the Woods With an Axe’ – First Look at ’80s Throwback Slasher [Exclusive]

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We have an exclusive first look at A Man in the Woods With an Axe, a blood-soaked, genre-twisting homage to 1980s slasher films.

Spanning four decades, A Man in the Woods With an Axe begins in the summer of 1987 before pushing into the modern era, weaving together timelines and perspectives in a way that builds both dread and intrigue.

Drawing inspiration from genre standouts like Tucker and Dale vs. Evil, Hatchet, and The Cabin in the Woods, the film blends visceral horror with moments of dark humor, creating a uniquely balanced experience that honors tradition while carving its own identity.

Writer-director Dillon Brown (Primal Darkness) aims to deliver everything fans crave from a slasher while boldly subverting expectations with a mid-film twist that redefines the story.

“This is an unapologetic love letter to the films that made me fall in love with horror,” Brown tells Bloody Disgusting. “But I didn’t just want to recreate that feeling; I wanted to challenge it. About halfway through, the film takes a turn that completely changes how you view not only this story, but the genre itself.”

Brown describes the vintage-inspired production as “far and away the bloodiest film I’ve ever made,” with practical effects helmed by Cody Ruch (The Mill, Pig Hill), an instructor at Tom Savini’s Special Make-Up Effects Program.

From Horror Dadz Productions, A Man in the Woods With an Axe is currently in production and targeting an early 2027 release.

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