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Here’s What Tobe Hooper Almost Did With ‘The Thing’ Before Carpenter Took Over

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The road to 1982’s classic was a long one.

As most of you reading this are well aware, John Carpenter’s The Thing is often referred to as a remake, and that’s because there was a 1951 film titled The Thing from Another World that had much the same general concept. The two films, in actuality, are vastly different adaptations of John W. Campbell Jr.’s short story Who Goes There?, published way back in 1938.

Nearly a decade before Carpenter came on board and worked his magic, producer Stuart Cohen saw the potential in re-adapting Who Goes There?, a long development process that dates back to the early ’70s. Cohen, who first read the novella as a kid, was hungry to bring it back to the screen, and Universal ended up buying the rights to produce his passion project.

As Cohen explained on his must-read blog The Original Fan, which is all about The Thing, he had met with Carpenter back in the ’70s to talk about directing a new adaptation of the story, but Universal was hesitant to hire an untested filmmaker. At the time, Carpenter hadn’t even yet directed Halloween, so Universal naturally thought it a huge risk to hand him the reigns.

And so, before Carpenter came on, Tobe Hooper was the studio’s first choice.

Tobe Hooper and creative collaborator Kim Henkel were coming fresh off the success of The Texas Chain Saw Massacre at the time, and they seemed a perfect fit to adapt Who Goes There?. However, quite the opposite turned out to be true. Their vision was vastly different than Cohen’s, who felt that Hooper and Henkel were missing the point of the source material.

Wrote Cohen on his aforementioned blog:

Their initial enthusiasm dimmed upon reading the novella. The issue of trust didn’t particularly interest them as an overall theme. They also worried about their ability to dramatize the mechanics of assimilation and didn’t want to be constrained by its use.

So what would Hooper have done with the film? Here’s what Cohen recalls of the script:

Rejecting the short story’s central premise, they chose instead to try to fashion something original that, in their words, would “address the larger picture.” Written quickly in order to avoid an impending writers strike, what I remember of the script was an attempt at a man versus monster epic set at the bottom of the world, a sort of Antarctica MOBY DICK with an Ahab-like character (I believe his name was The Captain) battling a large, but decidedly non-shape shifting creature.

Seemingly written as a tone poem with a stab at a Southern, Davis Grubb-like feel, the script was dense, humorless, almost impenetrable (the word John used for it when he later came on board was incomprehensible). Judged by all at the time to be something akin to a disaster, we agreed to part company.

In hindsight, everything worked out as it was meant to. After Alien became a hit at the box office in 1979, and with John Carpenter firmly established as a budding master of horror thanks to Halloween, Universal had a renewed interest in the project as the 1980s approached. Contrary to years prior, they were excited to bring Carpenter on board. And the rest is history.

On a related note, John Landis turned down the project in the ’70s!

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has two awesome cats. Still plays with toys.

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7 New Horror Movies Releasing This Week Including ‘Lockbox’

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Katharine Isabelle and Lou Taylor Pucci in Lockbox

The holiday weekend means a light week for new horror releases, but it does bring the return of Dark Castle Entertainment to select theaters. It’s being joined by 6 new horror movies.

Here’s all the new horror releasing June 29, 2026 – July 3, 2026!

For daily reminders about new horror releases, be sure to follow @HorrorCalendar.


Inde Navarrette in the 'Obsession' trailer

You wished for it. The highest-grossing horror movie of the year (so far), Curry Barker’s Obsession, arrived on Digital on June 30. 

In Curry Barker’s theatrical debut Obsession, after breaking the mysterious One Wish Willow to win his crush’s heart, a hopeless romantic finds himself getting exactly what he asked for but soon discovers that some desires come at a dark, sinister price.

Michael Johnston (Teen Wolf), Inde Navarette (Superman & Lois), Cooper Tomlinson (“That’s a Bad Idea,” Milk & Serial), Megan Lawless (The Death That Awaits), and Emmy Award-nominee Andy Richter (“Conan,” Elf) star.


Based on a story by director James Kondelik (Behind The Walls) and a screenplay by Canadian writer Victor Rose, survival thriller Pitfall headed home to Digital on June 30. Family is murder in this Cineverse release.

In Pitfall, a young man becomes separated from his friends in the woods and plunges into a ten-foot pit lined with spikes, impaling his leg and leaving him helpless. As reality sinks in and his situation grows dire, he realizes the fall wasn’t an accident.

The film stars Richard Harmon (Final Destination: Bloodlines), Alexandra Essoe (The Pope’s Exorcist), and UFC champion Randy Couture (The Expendables) as the ruthless killer who stalks his prey in the woods. Marshall Williams (The Ice Road), Jordan Claire Robbins (The Umbrella Academy), and Matt Hamilton (Murder for Sale) also star.


The Amityville IP leans into Jaws with Amityville Shark House, just in time for the Fourth of July holiday too, as it released on Digital June 30.

Will Collazo Jr. (Amityville Thanksgiving) and Shawn C. Phillips (Amityville Karen) co-direct from a script they wrote with Julie Anne Prescott.

In the movie, after discovering an ominous shark idol hidden beneath the decaying floorboards, Richard unknowingly awakens an ancient and savage force. As the entity begins to merge with him, a quiet coastal town descends into blood-soaked chaos.

With each victim claimed, the monstrous predator grows stronger, fueling a cult’s belief that their dark god has been reborn. Now, the race is on to stop the carnage before evil consumes everything in its path.

Phillips and Prescott also star alongside Tasha Tacosa, Maritza BrikisakGigi Gustin (The Retaliators), Adam Marino, and Carl Solomon.


Available on Digital, Blu-ray, and DVD as of June 30 is Jacked, directed by John Fucile from a script he co-wrote with Simon Fraser.

The synopsis: “Set in the summer of 1987, JACKED follows two small-town teenagers whose day at the lake turns into a fight for survival after their car breaks down and they encounter a violent stalker.”

Marla Jean Robison, Tom Koch, Anthony Cipriani, Wynn Reichert, Kam Perez and Bella Marie star.


Slashercise teaser

Get ready to work up a killer sweat and maybe spill some blood with Slashercise, a workout meets slasher hybrid that arrived exclusively on Bloodstream on July 1.

Written and directed by Ama Lea (Deathcember), the retro-styled feature follows “a masked killer known only as Meathead as he stalks the fitness clubs of Los Angeles, turning workout sessions into blood-soaked nightmares. As the city’s top trainers are picked off one by one, a group of determined fitness fanatics must fight back before they become the next bodies on the mat.”

Vanessa Decker (Stiletto), John Bloom (The Last Drive-In With Joe Bob Briggs), Spencer Charnas (Ice Nine Kills), Sarah French (Blind), Kelli Maroney (Night of the Comet), Sarah Nicklin (V/H/S/Halloween), Diana Prince (The Last Drive-In With Joe Bob Briggs), Jared Rivet (The Once and Future Smash), Felissa Rose (Sleepaway Camp), Tiffany Shepis (Victor Crowley), and Lisa Wilcox (A Nightmare on Elm Street 4: The Dream Master) star.


After a record-breaking box office run, A24 and director Kane Parsons’ feature debut is heading back to theaters with bonus footage. AMC Theatres is unleashing Backrooms: Everything Must Go Editiontoday, July 3.

In the film written by Will Soodik, the owner of Cap’n Clark’s Ottoman Empire discovers a strange doorway in the basement of the furniture showroom. He sets out to explore the mysterious, liminal space, walking headfirst into a creepypasta nightmare.

Chiwetel Ejiofor and Renate Reinsvestar.

AMC describes this release as a “theatrically exclusive post-credit” with additional footage from Kane Parsons. Expect 16 minutes of bonus footage, with the new version clocking in at 2 hours and 6 minutes.


The Last Exorcism director Daniel Stamm and Dark Castle Entertainment are back with Lockbox, in select theaters July 3. It adapts Soren Narnia‘s Knifepoint Horror Podcast story “Winthrop” by Emmy-winning playwright Justin Yoffe.

In Lockbox, “Seeking peace after her mother’s death, Ellen retreats to a rural town and takes in her severely traumatized cousin Winthrop. Their fragile domestic balance shatters when an erratic neighbor warns that Winthrop is dangerous. As strange phenomena escalate, Ellen must put everything on the line to defend Winthrop from a dangerous otherworldly entity determined to track him down.”

Lou Taylor Pucci (Touch Me, Evil Dead), Carla Gugino (The Haunting of Hill HouseGerald’s Game, The Fall of the House of Usher) and Katharine Isabelle (Ginger SnapsBackrooms) star.


This week’s new release roundups are presented by Lockbox.

Be careful who you let in. Carla Gugino and Lou Taylor Pucci star in Lockbox, only in select theaters this Friday. Get tickets.

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