Podcasts
[Horror Queers Podcast] So About That Shaving Scene in ‘Jason Goes to Hell’…
A real freaky Friday!
Joe and I left behind the world of femme fatales after we discussed the dynamics between teenage sociopaths Sadie and McKayla in Tyler MacIntyre’s Tragedy Girls, the lesbian relationship at the heart of the Brazilian film Good Manners and queer icon Lola in Sean Byrne’s The Loved Ones. After a brief detour to Derry, Maine with It: Chapter One last week, Joe and I are starting an eight-week marathon of campy horror films!
First up is Adam Marcus‘ 1993 grand slasher “finale” Jason Goes to Hell: The Final Friday! In what would ultimately not be the final film in the Friday the 13th franchise, Jason’s spirit leaves his body after the FBI blows it to bits and decides to possess other people as he seeks out a member of his family to possess so that he may be reborn. It’s about as stupid as it sounds.
Joining us on our camping trip to Crystal Lake is fellow Bloody Disgusting columnist Alice Collins, who broke into the BD scene with her exceptional “Trapped By Gender” column earlier this year. A self-proclaimed Jason Goes to Hell fanatic, Alice provides some much-needed backstory into the making of this weird little film.
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Episode 38 – Jason Goes to Hell: The Final Friday (1993)
The Horror Queers are getting a head start on Friday the 13th celebrations with a visit to Crystal Lake in Jason Goes to Hell: The Final Friday! Joe and Trace are joined by fellow Bloody Disgusting columnist Alice Collins in an episode that might as well be called E! True Hollywood Story: Jason Goes to Hell. Together, they will try to do the impossible: make sense of a film that makes absolutely no sense.
Topics up for discussion are little girls in pink dresses sticking a hot dog through a donut, queer leather-daddy shaving fetishes, sensual hand-stroking and crazy-impressive gore effects. In a surprising twist, Joe admits to loving the film (despite not being a fan of the franchise), Trace talks about how screenwriters Dean Lorey and Jay Huguely stole the plot of the film from a story he wrote in the first grade and Alice spills the tea on most of the film’s production troubles.
Oh! Did they mention that this episode starts off an eight-week marathon of campy horror films? Because it does! So be prepared for seven more weeks of unintentionally funny horror films, most of which have very, very troubled production histories.
This Week’s Game: If you were a studio executive with $10 million and you had the rights, which dormant horror franchise would you order an off-brand installment of?
Cross out Jason Goes to Hell: The Final Friday!
Coming up Wednesday: Camp Month(s) continue as we look at the complete and utter clusterfuck that is Wes Craven‘s Cursed and its homo-repressed bully (Milo Ventimiglia)!
– Joe & Trace
P.S. Be sure to check out all of our online articles right here, including August’s article on The Town That Dreaded Sundown (2014).
P.P.S. As an added bonus, if you subscribe to our Patreon you can listen to our full-length bonus episode on It: Chapter 2.
Aaliyah Innocent.
May was a busy subgenre-switching month. After kicking things off with disaster “slasher” The Poseidon Adventure (listen), we watched American Giallo The Fan (listen), then wrapped things up with Vincent Price’s horror comedy Theater of Blood (listen).
Now, in honor of Pride Month and the return of AMC’s Interview with the Vampire (renamed The Vampire Lestat for S03), Trace and I had to check out the straight-washed second attempt to bring Anne Rice’s The Vampire Chronicles to life.
Back in 2002, director Michael Rymer pitched Hollywood on his vision for Rice’s second Chronicle book, The Vampire Lestat. Instead, the suits opted to adapt the third book, Queen of the Damned (likely due to the ancillary opportunities of the soundtrack, written entirely by Korn frontman Jonathan Davis).
In the film, Lestat (Stuart Townsend) awakens from slumber to reinvent himself as a leather-pant-wearing rocker. Lestat’s very public vampire persona attracts the attention of Talamasca novice Jesse (Marguerite Moreau), as well as the vampire’s maker Marius (Vincent Perez). But the nu-metal has the greatest impact on Akasha (Aaliyah), who awakens and promises to take over the world if her old foe Maharet (Lena Olin) doesn’t stop her.
Whose side will Lestat join? Will Marius help his fledgling or abandon him to public sacrifice? And does anyone actually care about Jesse? (Please note: that last question is rhetorical.)
Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple Podcasts, Stitcher, Spotify, iHeartRadio, SoundCloud, TuneIn, Amazon Music, and RSS.
Episode 389: Queen of the Damned (2002)
Practice your Egyptian accent and bare that midriff because we are talking the troubled “adaptation” of Anne Rice’s Queen of the Damned (2002).
Directed by Australian Michael Rymer, this one was doomed by the suits before it was even greenlit (which happened AFTER all of the songs were written by Korn frontman Jonathan Davis). It’s a bit of a clusterfuck.
Plus: praising everything Aaliyah (RIP); critiquing everything Stuart Townsend (aside from his abs and leather pants); a soft queer reading of Marius; and bemoaning boring protagonist/audience surrogate JESSE.
Cross out Queen of the Damned!
Coming Up Next: We’re tackling Ben Stiller’s horror-adjacent dark comedy The Cable Guy (1996), in anticipation of its 30th anniversary!
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