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Doused With Bikinis, Boobs and Blood in ‘Piranha 3D’ [Horror Queers Podcast]

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Piranha 3D Horror Queers

Spring Break Boobies.

After reaching the end of the road on our “underseen or underrated?” theme with the queer, DIY aesthetics of Death Drop Gorgeous and returning to our regular programming with an analysis of Michael Powell’s Peeping Tom, we’re going to celebrate Spring Break a little late with bikinis and boobs in Alexandre Aja‘s 2010 schlock-fest Piranha 3D!

In the film, set during spring break on Lake Victoria,  an underground tremor releases hundreds of prehistoric, carnivorous piranhas into the lake. Local cop Julie Forester (Elisabeth Shue) must join forces with a band of unlikely strangers to destroy the ravenous creatures before everyone becomes fish food.

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicAcastGoogle Podcasts, and RSS.


Episode 171: Piranha 3D (2010)

Slather that sunscreen on your nose and get those boobies ready because we’re doing Spring Break a little late this year as we discuss Alexandre Aja’s incredibly fun and incredibly gory Piranha 3D (2010). Joining us for the fun is Megan Sunday, the co-host of the Let’s Get Weirding podcast!

Join us as we discuss the film’s shockingly troubled post-production process (leading to some no-so-great CGI), the film’s treatment of women, the dicks of both Jerry O’Connell and Adam Scott, and that nude, lesbian, underwater ballet sequence.

Plus: More Weinstein woes, #JusticeForDanni, Trace’s geography struggles, and Dina Meyer done dirty (again!). Oh, and and how about the fact that this almost became an Alan Smithee film?


Cross out Piranha 3D!

Coming up on Wednesday: We’re flashing back to 1960 to discuss the film that birthed the slasher genre…Michael Powell’Peeping Tom!

P.S. Subscribe to our Patreon for more than 165 hours of additional content! This month, we’re discussing the 10th anniversary of Joseph Kahn’s Detention, as well as Hulu originals Master and Deep Water, Robert Eggers’ The Northman and a 25th anniversary audio commentary on Anaconda!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Podcasts

‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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