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Celebrating 200 Episodes With a New Logo and Karyn Kusama’s Perfect ‘The Invitation’! [Horror Queers Podcast]

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Fantastic Fest

Masterclass

It’s not every day that your podcast hits 200 episodes or gets a brand new logo, so it’s been a big week for Trace and me over at Horror Queers.

We’ve had an incredibly busy October on the pod, what with an extended conversation with Don Mancini about the last 30+ years of the Chucky franchise, a discussion about biphobia and Paul Verhoeven’s classic Erotic Thriller Basic Instinct, and our (now annual) check-in on David Gordon Green’s Halloween trilogy, Halloween Kills.

For our 200th episode, we wanted a special, perfect 5-star film, so we knew we had to go with Karyn Kusama‘s The Invitation (2015). In the film, grieving Will (Logan Marshall-Green) and his new girlfriend Kira (Emayatzy Corinealdi) attend a dinner in the Hollywood Hills at the behest of his ex, Eden (Tammy Blanchard) and her new boyfriend, David (Michiel Huisman).

But something’s off: there are two unusual guests Pruitt (John Carroll Lynch) and Sadie (Lindsay Burdge) and Eden in unnaturally happy, despite the death of her and Will’s son Ty (Aiden Lovekamp).

Is Will overreacting or is something more nefarious going on? Make it to the toast to find out!

Be sure to subscribe to the podcast to get a new episode every Wednesday. You can subscribe on iTunes/Apple PodcastsStitcherSpotifyiHeartRadioSoundCloudTuneInAmazon MusicAcastGoogle Podcasts, and RSS.


Episode 200 – The Invitation (2015)

We’re celebrating episode 200 with a five star film: Karyn Kusama’s masterful The Invitation (2015).

Every aspect of this film is sheer perfection (direction, editing, score, lighting, screenplay and acting). We’re obsessed with the layered and nuanced depiction of grief, Will as an unreliable protagonist, terrifying character actor John Carroll Lynch and the glorious house porn.

Plus: speculation about the after life, why Kira wins Best Girlfriend, good queer representation, as well as blow and blowjobs. Oh, and Trace ruins the film with a Claire tidbit.

It’s a masterclass!


Cross out The Invitation!

Coming up on Wednesday: We’re celebrating Halloween with a bunch of boob jokes and the horror hostess with the most: Elvira: Mistress of the Dark (1988)!

P.S. Subscribe to our Patreon for more than 207 hours of additional content! This month, we’ve got episodes on the film adaptation of My Best Friend’s Exorcism, Disney’s legacy sequel Hocus Pocus 2, Hulu’s Hellraiser reboot, the final(?) entry in David Gordon Green’s Halloween series Halloween Ends, and an audio commentary on Gore Verbinski’s The Ring, just in time for its 20th anniversary!

Joe is a TV addict with a background in Film Studies. He co-created TV/Film Fest blog QueerHorrorMovies and writes for Bloody Disgusting, Anatomy of a Scream, That Shelf, The Spool and Grim Magazine. He enjoys graphic novels, dark beer and plays multiple sports (adequately, never exceptionally). While he loves all horror, if given a choice, Joe always opts for slashers and creature features.

Podcasts

‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]

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“This is life’s ultimate cruelty. It offers us a taste of youth and vitality, and then it makes us witness our own decay.”

Is there anything more terrifying than the relentless passage of time? It’s a bitter truth that just when we’ve become accustomed to our bodies, the sands of time turn and we’re forced to watch them slowly break down in a cruel march towards inevitable death. But what if there were a way to stop the aging process – a potion that would return us to our peak physical condition and hold us there until the end of time? Would we take it? And would we eventually find that the blessing of perpetual life is actually a curse? No film explores this dilemma quite like Death Becomes Her. Robert Zemeckis’ 1992 horror comedy pits two showstopping divas against each other for a single spotlight while asking what they would do for eternal youth – and what will be the hidden cost?

Madeline (Meryl Streep) and Helen (Goldie Hawn) are old frenemies with a history of vicious competition. Madeline seems to have won the most recent battle and married Helen’s fiance Ernest (Bruce Willis), but decades later, their marriage is on the rocks and Madeline’s once thriving career is now a thing of the past. When Helen returns with a stunning new look, Madeline turns to unorthodox methods to maintain her feminine dominance. She drinks a potion designed to give her eternal youth, but returns home to find her life turned upside down by her downtrodden husband and jealous “friend.” Having both taken the potion, “Mad” and “Hel” engage in a bitter fight to the death over years of petty snipes and the right to claim the title of Most Desirable Woman.

In their latest episode, The Lady Killers dissect these two glamorous killers and the hidden social commentary in Zemeckis’ iconic film. Co-hosts Jenn AdamsMae Shults, Rocco T. Thompson, and Sammie Kuykendall dish over their own fears of aging, choose their favorite diva, and decide whether they would take the potion should they ever find themselves in Lisle’s (Isabella Rossellini) lavish home. How does the film hit differently when watching as an adult? Could Madeline, Helen, and Ernest ever make a polycule work? Is Lisle a hero or a villain and how does she keep that gorgeous necklace in place? They’ll wrestle with these questions and more in a podcasting shovel battle to the death on this unique horror comedy and one of the most glamorous casts of all time.

Stream below and subscribe now via Apple Podcasts and Spotify for future episodes that drop every Thursday.

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