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Manhunt: Backwoods Massacre (Rovdyr/Predator) (Norway)

“Fans of no-holds-barred terror flicks will surely enjoy this little gem for its bawdiness and hardliner attitude alone, while cult flick aficionados will certainly relish its many nods to genre classics such as THE TEXAS CHAINSAW MASSACRE and MOTHER’S DAY.”

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The cold, dark and deserted woods of Norway aren’t exactly the most cozy and inviting place on earth… and they get even less inviting when you find out that in fact they are not that deserted at all, but that they’re rather occupied by a gang of merciless redneck sadists, who get their kicks from kidnapping innocent people and hunting ‘em down like game animals. And like all self-respecting redneck psychos, these disagreeable fellows are also not really satisfied with killing their victims fast ‘n clean, but rather do they prefer to torture them in the most brutal ways their deranged minds can come up with.

Too bad that the blonde sweetheart Camilla and her friends Roger, Jorgen and Mia have decided to visit exactly this baneful part of the country during their summer holidays, cause as you can imagine, the grumpy natives are more than happy to give the four kids from the city a welcome they won’t soon forget. And before they even know what’s going on, Camilla and her friends have already fallen prey to the bloodthirsty rednecks and from that moment on “Kill or be killed” is the motto of the day in the dark and dense Norwegian back-country where no one hears your screams except for the sadistic sons of bitches who are responsible for them.

You see, the story of the 2008 Norwegian slasher/shocker flick MANHUNT – BACKWOODS MASSACRE is about as far from being profound, new and revolutionary as it can get and also the main characters (a good-hearted cutie, a self-centered macho, a nerdy comic-fan and an outspoken feminist) are little more than just our typical horror film stereotypes, but apparently this lack of substance and complexity does not work against MANHUNT at all, but rather does the movie’s extreme simplicity and straightforwardness result in a very rough and realistic atmosphere that makes the viewer feel pretty agitated and uncomfortable throughout most of MANHUNT’s running time. As soon as the rednecks come into play and the hunt begins, ROVDYR (as the film is originally titled) turns into an extremely intense tour de force that’s not at all watered down by cheesy Hollywood pathos or contrived stylishness.

With its uncompromising roughness and sheer brutality, this movie grabs you by the throat and clutches harder and harder till you’ve got hardly any air left to breathe. When the rednecks, who are pictured as anonymous, faceless bringers of death throughout most of the movie, blow their victims to pieces with shotguns, rip out their intestines with hunting knives or bind and gag them with barbwire, you can’t help but cringe and feel really uneasy.

Fans of no-holds-barred terror flicks will surely enjoy this little gem for its bawdiness and hardliner attitude alone, while cult flick aficionados will certainly relish its many nods to genre classics such as THE TEXAS CHAINSAW MASSACRE and MOTHER’S DAY. Sure, first-time director Patrik Syversen hasn’t exactly reinvented the wheel with MANHUNT and I wouldn’t go as far as to call it a masterpiece or instant classic either, but I sure as hell had a great time watching it and will recommend it to every horror freak out there looking for an unpolished and uncompromising low-budget shocker with convincing actors, strong gore effects, good cinematography and a very dense atmosphere.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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