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Homecoming (V)

“I’m not going to waste a single second of your time; HOMECOMING is a straight-up insult to horror fans and every single aspiring horror director on the planet. Showing zero heart, ambition or even a shred of creativity, this is a Franken-movie crafted to be spoon-fed to 13-year-old-girls and their giggling friends who would rather talk and text than watch the movie.”

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Spoiler-filled review

I’m not going to waste a single second of your time; HOMECOMING is a straight-up insult to horror fans and every single aspiring horror director on the planet. Showing zero heart, ambition or even a shred of creativity, this is a Franken-movie crafted to be spoon-fed to 13-year-old-girls and their giggling friends who would rather talk and text than watch the movie.

Director Morgan J. Freeman delivers an over-lit, generic looking thriller that could easily be shown on Oxygen. It screams from the top of the highest mountain that it was thrown together without a single thought as to who would like it, only that they could sell it for a high price to be shown on TV.

The film follows Mike (Matt Long), a small-town star athlete who returns home over Christmas break with a new girlfriend, Elizabeth (Jessica Stroup), a pretty rich girl from Chicago. No one is more shocked than Mike’s homecoming queen ex-girlfriend, Shelby (Mischa Barton), who immediately wants to be rid of Elizabeth and plots to take care of the problem.

After a dreadful 45 minutes of character development, HOMECOMING becomes a dry clone of MISERY as Shelby takes Elizabeth hostage and convinces herself that she’s “just trying to help.” There isn’t a single shred of suspense as Elizabeth, to a closed ear, begs Shelby to let her go. At no point during the first hour is there remotely a sense of danger as Shelby attempts to seduce Mike back into her life, while Elizabeth lies bedridden with a broken ankle.

The most offensive part of this half-assed attempt at a thriller is that there’s zero tits and ass, and the blood is so minimal you can nearly slap a PG on this dud. The only moment that even acts as if it’s the real-deal is when Shelby slashes Elizabeth’s heals, only by that point it’s completely out of character and appears to be a desperate attempt to trick horror fans into thinking they saw violence. Even more of an insult is the completely cliché ending that has me screaming in laughter. After Shelby gets wacked in the head a few times, she “appears” to be dead. A shroud of silence fills the air, the camera moves in for the close-up and then – you guessed it – Shelby opens her eyes! Roll credits. I am not joking.

Like I said, HOMECOMING is the PG version of MISERY, which had me screaming at the screen throughout the duration of the feature, “why bother, really, WHY?!”

Movies

Friday, June 12 – These 7 New Horror Movies Released Today

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New Horror Movies June 2026
Pictured: 'Kraken'

This week’s new releases offer everything from giant monsters to Spielberg aliens to ass-kicking martial artists and even an ash-eating medical student. Do we have your interest?

Here’s all the new genre movies that released on Friday, June 12, 2026!

These aren’t all HORROR movies, but we want you to be aware of them all the same…


Norwegian creature feature Kraken is now available on Digital.

The film was also unleashed in select theaters. Check your local listings.

In the monster movie Kraken, “unnatural behavior in wild salmon, followed by inexplicable deaths in Norway’s deepest fjord, points to the mythical Kraken. The ancient, multi-armed monster has awakened, ready to crush everything that moves or makes a sound.”

Pål Øie (The Tunnel) directs Samuel Goldwyn Films’ Kraken from a script by Vilde Eide, Kjersti Jelen Rasmussen, and Natasha Arthur. Sara Khorami, Mikkel Bratt Silset, Øyvind Brandtzæg, Jenny Evensen, Ingvild Holthe Bygdnes, Jon Erik Myre, Hans Morten Hansen, Steinar Klouman Hallert, and Filip Bargee Ramberg star.


An all girls trip into the desert for escapism fun instead implodes in violence in the revenge thriller Find Your Friends, now streaming only on Shudder.

In the film, “Amber and her four best friends flee Los Angeles for a girls’ trip in Joshua Tree, only to find themselves unwelcome in a desert town simmering with quiet hostility. As isolation sets in and encounters with aggressive locals grow more threatening, festering resentments within the group begin to surface.

“What begins as fun and reckless escape spirals into a violent struggle for control and survival, as past wounds and present dangers collide in a night that turns their trip into a nightmare.”

Bella Thorne (The Babysitter), Chloe Cherry (“Euphoria”), Helena Howard (I Saw the TV Glow), Sophia Ali (Uncharted), Zion Moreno (“Gossip Girl”), and Chris Bauer (“True Blood”) star in the feature debut by writer/director Izabel Pakzad.


Steven Spielberg is more sure today than he was when he made Close Encounters and ET that aliens are very real, and with Disclosure Day, he aims to make you a believer too.

Okay so it’s not a horror movie, but the sci-fi blockbuster is now playing in theaters.

The vague synopsis for Disclosure Day reads: “If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people. We are coming close to Disclosure Day.”

The film stars SAG winner and Oscar® nominee Emily Blunt (Oppenheimer, A Quiet Place), Emmy and Golden Globe winner Josh O’Connor (Challengers, The Crown), Oscar® winner Colin Firth (The King’s Speech, Kingsman franchise), Eve Hewson (Bad Sisters, The Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing Sing, Rustin).

Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for Jurassic World Rebirth.

Steven Spielberg is of course no stranger to extraterrestrial encounters, directing two of the greatest alien movies of all time: Close Encounters of the Third Kind in 1977 and E.T. in 1982. It’s an arena he returned to in 2005, directing an adaptation of H.G. Wells’ War of the Worlds.

Here in 2026, Steven Spielberg sees hope in the existence of aliens. He notes in the final trailer for Disclosure Day, “How will disclosure change us? I believe for the better.”


Another movie that’s not a horror movie but worth mentioning here is the violent martial arts revenge thriller The Furious, which is now playing in theaters from Lionsgate.

Xie Miao (The New Legend of Shaolin) and Joe Taslim (Mortal Kombat) star.

After his daughter is kidnapped by a criminal network and he receives no help from the corrupt police, Wang Wei sets out on a rampage to find her himself.

His only ally is Navin, a relentless journalist whose wife has mysteriously disappeared. Fueled by a furious vengeance, the unlikely duo ruthlessly fights against the kidnappers.

Kenji Tanigaki (Enter the Fat Dragon) directs from a script by Mak Tin Shu (Kung Fu Jungle), Lei ZhilongShum Kwan Sin (Twilight of the Warriors: Walled In), and Frank Hui.


A disturbing weight loss craze involving human ashes opens up a haunting world of hurt for a young woman in Saccharine, which is now available on Digital outlets at home.

From writer/director Natalie Erika James (RelicApartment 7A), the Australian supernatural body horror film follows lovelorn medical student Hana, who becomes terrorized by a sinister force after taking part in an obscure weight loss craze: eating human ashes.

Midori Francis (“Grey’s Anatomy”), Danielle Macdonald (Patti Cake$), and Madeleine Madden (“The Wheel of Time”) star in Natalie Erika James’ latest nightmare.


From directors Arturo Ambriz and Roy AmbrizI Am Frankelda is billed as the first ever full length stop motion movie from Mexico, and it’s now streaming on Netflix.

The history-making stop-motion film is a dark fantasy set in a world of monsters.

Here’s the synopsis: “In 19th-century Mexico, Frankelda is a gifted writer whose dark tales are ignored and dismissed. Forced to suppress her voice, she refuses to give up, even as many try to silence her. But when she is thrust into her subconscious, the very monsters she created come to life.

“Guided by Herneval, a tormented prince trapped between dreams and nightmares, she must restore balance between fiction and reality before both realms collapse. Meanwhile, the sinister writer Procustes and his conspirators plot to seize control. As Frankelda and Herneval grow closer, their bond becomes both a strength and a curse.

“To rewrite their fate, she must confront a love that defies existence and reclaim her power as a storyteller—before dark forces consume her imagination and reveal horrors beyond her creation.”

The directors said in a joint statement, “As brothers, we grew up inventing worlds together, drawing, playing, imagining. Over time we understood that fictional characters were not only companions but guides. Sometimes they felt closer than the people around us. They provided us courage, wisdom, and solace. We believe fiction is not an escape from reality but a way of understanding it. A way of converting truth into palatable chunks. I Am Frankelda comes from a lifelong love of storytelling.”

Mireya Mendoza, Arturo Mercado Jr., and Luis Leonardo Suarez lead the voice cast.

Meagan Navarro writes in her review for Bloody Disgusting, “Mexico’s first stop-motion animated feature is a macabre beauty.” Meagan also notes in her review, “I Am Frankelda is a gothic fantasy feature whose boundless creativity is matched by its ambition.”


The lines of reality and delusion blur in Time of Death, now available on Digital.

Michael Kelly (“The Penguin,” Dawn of the Dead 2004) stars with Kevin Pollak (End of Days), Mena Suvari (Vampires of the Velvet Lounge), and Dennis Haysbert (Send Help).

In the horror-thriller, “When a prisoner vanishes without a trace, Detective Frank Morley (Michael Kelly) is sent to a decaying prison on the verge of shutdown. What begins as a routine investigation quickly spirals into a dangerous search for answers.”

Will Wernick (Escape Room 2017, Follow Me) directs from a script by Jason Rosen. They also produce alongside Kelly Delson, Jeff Delson, and Kyle David Crosby.

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