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Vile

“Within the subgenre that Vile lives, aka torture porn, the movie will be a sure hit.”

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Almost forty years ago, in July 1961, psychologist Stanley Milgram started a series of social psychology experiments. These experiments, based on Nazi war criminals and their heinous acts, were devised to answer a simple question – How far are people willing to go when instructed by authority?

Vile, a new film written by Eric Beck and directed by Taylor Sheridan, hones these experiments in a familiar setting.

After a long introduction, where the game of “Would You Rather?” takes precedence, the story begins. Nick, played by none other than Beck, and his pregnant girlfriend Tayler, stop for gas late one night after a few days of camping with their friends Tony and Kai. The setup from here is simple. An attractive, older woman approaches Nick at the station claiming that her car has run out of gas up the road and she needs a lift back. Once they reach her car, the “strange cougar” entices the girls in the car with samples of perfume she personally makes and sells. As Tayler rolls her eyes once more to Nick’s succumbing to this woman’s plea, the woman reappears in a gas mask and sprays toxic fumes into the car.

Fast forward hours or days later, where the four friends sit tied to chairs, with two vials (Get it? Vial. Vile. No?) attached to the base of their skulls and wired into their brains, while another group of strangers stare them down, asking why they are there and mumbling about a mysterious video. Greg, the strong leader of the group of strangers says he cannot wait – grabs a pair of pliers and eagerly pulls a fingernail from Kai’s hand.

This action sets off a timer on a tv screen which once more plays the mysterious video.

They have 22 hours to fill the vials on the back of their heads. The vials will only be filled if the wearer experiences pain. The group concludes they need the chemicals to create a drug made from dopamine, serotonin, and adrenaline. Said drug can only be made by experimenting on people. Cue an hour of the group torturing each other in various ways including hot irons, boiling water, and tools.

Reminiscent of Cube and Saw, Vile definitely produces the fear and paranoia a group of strangers would have in such circumstances – and it holds it all up with piles of torture and gore. If you get off on seeing innocent people subjected to horrific pain and Vile (haha!) situations, then you will definitely enjoy this film!

For someone who knows how detrimental medication can be to the quality of life – and the horrific circumstances if one does not get such medication – I would’ve loved to have seen this side of the story explored further. We are definitely blind as to what goes into making drugs safe and producing said drugs to begin with. And, as the film tries to show, it is true that people don’t care where the medicine comes from, they will just pay for it and be on their way.

For those who search beyond visual gore for a solid meaning to a story, Vile gives you a taste of what could be a thought provoking film – but just falls short. Had there been more explanation or purpose to said drug, I think my reaction would’ve been stronger.

It would have also helped if the DVD had not arrived with a big “postage due” sticker – which I then had to pay. That, in itself, was pretty Vile.

However, within the subgenre that Vile lives, aka torture porn, the movie will be a sure hit.

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‘Mickey vs. Winnie’ – The Public Domain Horror Trend May Have Just Jumped the Shark

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In case you haven’t noticed, the public domain status of beloved icons like Winnie the Pooh, Cinderella and Mickey Mouse has been wreaking havoc on the horror genre in the past couple years, with filmmakers itching to get their hands on the characters and put them into twisted situations. In the wake of two Winnie the Pooh slashers, well, Pooh is about to battle Mickey.

It’s not from the same team behind the Winnie the Pooh: Blood and Honey films, to be clear, but Deadline reports that Glenn Douglas Packard (Pitchfork) will direct the horror movie Mickey vs. Winnie for Untouchables Entertainment and the website iHorror.

Deadline details, “The film follows two convicts in the 1920s who escape into a cursed forest only to be dragged and consumed into the depths of the dark forest’s muddy heart.

“A century later, a group of thrill-seeking friends unknowingly venture into the same woods. Their Airbnb getaway takes a horrifying turn when the convicts mutate into twisted versions of childhood icons Mickey Mouse & Winnie-The-Pooh, and emerge to terrorize them. A night of violence and gore erupts, as the group of friends battle against their now monstrous beloved childhood characters and fight to break free from the forest’s grip.

“In a horrific spectacle, Mickey and Winnie clash, painting the woods in a gruesome tableau of blood—a chilling testament to the curse’s insidious power.”

Glenn Douglas Packard wrote the screenplay that he’ll be directing.

“Horror fans call for the thrill of witnessing icons like the new Aliens and Avengers sharing the screen. While licensing nightmares make such crossovers rare, Mickey vs. Winnie serves as our tribute to that thrilling fantasy,” Packard said in a statement this week.

Producer Anthony Pernicka from iHorror previews, “We’re thrilled to unveil this unique take to horror fans. The Mickey Mouse featured in our film is unlike any iteration audiences have encountered before. Our portrayal doesn’t involve characters donning basic masks. Instead, we present deeply transformed, live-action horror renditions of these iconic figures, weaving together elements of innocence and malevolence. After experiencing the intense scenes we’ve crafted, you’ll never look at Mickey the same way again.”

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