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[TV Review] “Constantine”: Episode 1.11, ‘A Whole World Out There’

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It’s hard to fault an episode of ‘Constantine’ that focuses solely on the titular hero. The supporting cast has always been the issue and ‘A Whole World Out There’ manages to magnify the problem while also being the series most successful episode to date.

The episode begins with four would be victims. These college kids attend Ivy University (Sorry, Arrow fans no Ray Palmer here) and manage to send themselves to an alternate plane of existance. John is cuaght wallowing in the death of Gary Lester, and not doing much else. Conveniently, Zed and Chas are doing thier own things.

Constantine travels to the university after one of these college kids drops dead. He begs his old friend Ritchie Simpson (The always incredible Jeremy Davies) to join him in his inquest to explore other realites. Ritchie is cautious and doubtful, but his brilliance is just want John needs to succeed.

Ritchie and John’s relationship provides the entire drive of the episode. The younger college kids prove to be the fodder for the mirror killer, but they really serve little purpose other than a body count. It’s nice to see someone who has some real chemistry with Matt Ryan on this show. As Davies effortlessly shows his strained relationship with John.

Once things get interesting, we’re treated to an assortment of creative deathes using mirrors as a gimmick. It’s an old gimmick, but it works relatively well here. I think most haunting of all was seeing the blond victim do ballet and as she spiraled down the mirrors the killer loomed closer and closer witch each succesive shot. It was staged brilliantly to create a real sense of danger.

The other most successful sequence of the night came with Ritchie and John trying to save the two students as they were slashed to ribbons by the killer. I loved seeing the defensive wounds spring to life.

Finally, when Ritchie and John finally project themselves into the othe dimension we are treated to a team that actually fufills each other in interesting ways. Whereas Chas and Zed seem like reactionary characters every week, Ritchie felt like he was driving the episode more than John at times. I loved the final conversation they share in the ideallic projected reality. A projected reality that was some of the worst green screen effects I’ve ever seen. I mean I could build a more convincing reality with a 14 year old iMac and a green screen made from construction paper. Come on, NBC, let’s give Constantine some of that that Law & Order money.

It was touching to see John’s concern for his life long friend, and Ritchie’s attempt to get out. It was a nice nod to Ritchie’s fate in the comics, which is something worth mentioning if only as a missed opportunity. Ritchie becomes a tech demon in Hellblazer something that seemed completely foreign at the time, and now seems right around the corner. I’m baffled to see the direction of his story here.

But I digress. Overall the episode proved that the problems really stem from having secondary characters that we know nothing about. It shows that they offer so little to the show that they can be written out of a week’s episode with as little as a line, and the show is better for it. I don’t know what that means for the fate of the show, but I sincerely hope that this week was a taste of things to come. I would love to see John on more solo missions, or at least paired with people who have a role to play in the story.

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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