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[TV] Marvel’s Agent Carter: The Iron Ceiling Review

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Reviewed By Katy Rex. ‘The Iron Ceiling’ is the Strategic Scientific Reserve’s first big “away” mission, plus we get a little of Dottie’s origin story, starting in Russia, 1937, at (presumably) Black Widow Academy. There is a lot going on in this week of Marvel’s Agent Carter.

There’s just something extra awesome and terrifying about adorable little girls with pigtails murdering each other, isn’t there? Dottie is quickly becoming one of the most complex characters on the show, even with so little screen time. She’s clearly skilled in many ways; ninja jumps, marksmanship, playing dumb about tourist traps in the Big Apple, you name it.

If you’re here for girls who aren’t Peggy, though, I’m sorry. Dottie, even with her truly bizarre character development, gets very little actual screen time this week, and we don’t get to check in with Angie.

In a defiant sequence of events, Peggy spends the majority of this episode making Agent Chad Michael Murray eat his words from last episode (“the Natural Order of the Universe is that no man will ever consider her equal”). Despite his condescension and best efforts to exclude her, she breaks the code that the professional codebreaker couldn’t solve and talks her way onto the mission by enlisting her best good buddies, the 107th Regiment. Do we get to see that unsinkable merry band, the Howling Commandos, again?! You bet your sweet ass we do. For the whole friggin’ episode, and it’s glorious. Plus, in the Howling Commandos and in the locker room at the station, we finally get some characters who aren’t white.

Susan is still totally investigating the idea that the blonde is actually a brunette, a possibility he proved last episode by coloring in her hair with a pencil. Very scientific, Susan. Unfortunately for Peggy, he accidentally saw her in her underwear, and that gave him the opportunity to recognize her shrapnel scars from the blonde’s shoulder. So that sucks.

Chief Dooley meets a reporter played by Smallville’s Lionel Luthor in a bar. Just as Susan is getting more and more evidence to doubt Carter, Dooley is getting more and more support to change his mind about Stark’s collaborative role with Leviathan. Is he finally open to admitting he’s wrong? We’ll see! If he isn’t… well, isn’t that just like a man?

Peggy is lucky the 107th were willing to step in and help with the away mission, because now that Agent Chad Michael Murray can see other men treating Peggy decently and respecting her, he starts to realize it’s possible for women to be good at things other than getting coffee. Dum Dum Duggan and Peggy have a really great dynamic which makes it clear that here, out in the field with her compatriots, is her comfort zone. She’s good at this, and even Agent Chad Michael Murray has to admit it; there’s a moment where Chad Michael Murray takes Peggy’s tactical advice infiltrating the Leviathan base.

I’m still reeling from the complete creepy bizarreness of Dottie’s home invasion, by the way. In yet another side story, Dottie has palmed Peggy’s keys and used them to covertly search her apartment for intel. She starts to steal the evidence she needs when she notices Steve Rogers’ picture at Peggy’s vanity table. So of course, she smells Peggy’s lipstick and does a fake British voice, presumably imagining what it would be like to be Peggy? Or maybe this is some Russian spy thing, getting into your target’s shoes. In that case, I do sort of wish she literally put on Peggy’s shoes.

While Susan is unraveling Peggy’s credibility, she’s busy proving her worth to Agent Chad Michael Murray and the team. Unfortunately, in the battle scene, one of our two really visible PoC characters dies, but I guess we still have Happy Sam Sawyer, so that’s something.

 

What do you think? Did you like Chad Michael Murray’s bonding moment with Peggy, where he confesses that he’s not really a tough guy and it’s so hard to keep faking it? Why does Dottie sleep wearing handcuffs? Will Susan turn Carter in?

yoyos2Katy Rex writes comics analysis at endoftheuniversecomics.comcomicsbulletin.com, and bloody-disgusting.com. She also writes scholarly articles for various academic journals. She really likes butt jokes, dinosaurs, and killing psychos and midgets in Borderlands 2. She has a great sense of humor if you’re not an asshole.
Twitter: @eotucomics
Instagram: @katy_rex

 

 

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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