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[TV] “The Walking Dead”: ‘Them’ Review

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Hopelessness has never been something “The Walking Dead” has done with tact. Most episodes demonstrate the theme through startling imagery or some story dealing with the semblance of the truly unsettling nature of mankind, but “Them” may have been the grimmest, most blatant use of the theme yet.

I’m not big on the whole no hope idea. I understand it would be a predominate thought in a world gone to shit like this, but I think human nature finds levity in even the worst type of scenario. It seems the whole group goes into depression around the same time, and collectively recovers by the guiding hand of plot mechanics.

This week we were hit over the head with thematic baseball bat. Despite this, Carol seemed to keep a clear mind, and even pushed Daryl to get over his loss, but elsewhere we’re to believe Maggie is really struggling because the sister she already thought she lost is finally gone. I don’t buy it, but that’s just a minor gripe. In reality my problem lies with Sasha.

There is something about being surrounded by loss that makes any singular loss seem minute. So perhaps this is something of a viewer problem than a character problem, but Sasha represents this perpetual attempt to make some character the loose cannon or wild card. We’ve routinely seen characters crack and some have been more convincing than others. But, here Sasha just becomes reckless. She’s not only endangering her own life, but everyone around her. I just don’t buy it, and I don’t think this can go on long before Rick would knock some sense into her. In fact, I’d be surprised if this even gets addressed again given the end of the episode.

Weirdly enough, as I was making strikes against this week’s theme, and the stranglehold it puts around the viewers neck, I couldn’t help but feel a little reprieve after the storm. That combined with Rick’s delivery of “We are the Walking Dead” line, was a strangely resonate bookend to the loss of hope, and the birth of something new.

The sheer implausibility of the that storm missing the old wooden barn aside, I couldn’t help but feel oddly at ease when Sasha and Maggie walked out in awe of the wreckage. I felt their sense of relief and wonder, and by the end thought maybe that’s just what this episode needed – some relief.

The mysterious water on the street offered just that.  But it came at a time where the tension was too high. I mentioned no one having a sense of levity, but I like to think that Abraham smashed the shit out of Eugene’s water just because he wanted to punish the mulleted idiot more than he didn’t trust the water.

Then comes the reveal of who placed the water there. Aaron! A character any of the comic readers should be very familiar with, and a character in which I won’t spoil his true motivations or purposes here. Still a very interesting time for this character to arrive, and proving that a very exciting back half of this season is to come.

With some real subtext, and some interesting developments “Them” was a solid episode of “The Walking Dead.” However some thematic elements and wasteful subplots keep it from being an otherwise excellent hour. It’s more of a bridge between two ideas that a full representation of either one, and while I welcome a brief reprieve from hopelessness I imagine better pacing and plotting could have made the transition a little more powerful.

What did you think of “Them?” Would anyone be interested in spoilerish discussion posts about the future of the TV series given what we know about the comic? 

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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