Connect with us

Reviews

[TV Review] “Scream” Episode 1.06: ‘Betrayed’

Published

on

Scream

Oh man, you guys. I’m really starting to get worried. I thought last week’s episode of Scream was bad. “Betrayed” nearly put me to sleep. You all know that I’m the first to jump to the series’ defense, since I believe in having an open mind; but I can’t really excuse what it is we all just watched. It’s such a shame that Scream aired it’s weakest episode just one week after it got renewed for a second season, but c’est la vie. 

First, we catch up with Emma and Kieran after their roll in the hay at the end of the last episode. After she decides to go to Brandon James’ house to finally face her fears, Kieran goes missing and she is stabbed by the killer. But it’s not the killer! It’s her! Wait, it’s all a dream. I can’t say I didn’t see this coming. Scream has been spinning it’s wheels since Riley’s death so I didn’t think it was going to be moving along that quickly (though I wouldn’t have minded it). That dream twist is an insulting waste of time, though.

Also insulting is everything going on with Will and Jake (again). It was bad enough when the storyling just involved them, but now they’ve got to drag Brooke and Piper into it to make them even less interesting than they were before (and Brooke is my favorite character!). Piper is a particular issue I have, because she has no personality whatsoever. It’s clear she’s supposed to be the Gale Weathers of the show, but it seems afraid to go there with her. The result is a bland character with no discerning traits. I would perhaps understand the writers’ hesitance to copy the movie if Noah wasn’t such a blatant rip-off of Randy Meeks. What is her purpose on this show (other than to sit around the coffee shop and wait for students to walk up to her)? More importantly, why should we care?

It’s not worth criticizing the entire blackmailing subplot between Jake, Will and Mayor Maddox again, as I’ve done it enough for the past few reviews. I’ll just take this moment to point out that Tom Maden (Jake), who may be a lovely person in real life, cannot act. At all. Just look at his menacing face as he consoles Brooke:

Scream

Everything involving Audrey is even more frustrating this week, if only because she’s typically one of the more interesting characters of the bunch. Bex-Taylor Klaus does a good job in the episode, but everything involving her character reeks of wheel-spinning. There has been some speculation in the comments that Audrey and possibly Noah are the killers, but while that still may be the case, it was never going to come to light in this episode. There was no sense of urgency with this particular plot line. There were no stakes because Audrey was never going to go to prison. It was all about Emma having faith in her friend (aw).

While the contents of the memory card Audrey wanted Emma to destroy was incriminating, Emma decided to go ahead and trust her after Maggie took her to Brandon James’ house. This was the forward momentum that the rest of the episode was lacking. Maggie opens up to Emma and tells her what really happened the night Brandon “died” (I still don’t buy that he’s dead). It was a good moment for Maggie that gave us some crucial information on her and Bran’s history.

I really want to like Scream, and for the most part I have, but the last two episodes have been such a dip in quality that it’s growing more and more difficult to have patience with it. Especially when we are over halfway through the season. If there is one bright thing to come out of the second season renewal, it’s that  the writers might take some of these criticisms to heart and revamp the show next season. Hopefully it improves with the next four episodes, but my hopes are not high.

Random Notes

  • Detective Brock is awful. She broke the law at least twice in this episode. She interrogates Audrey without a parent present, badgers her in questioning, leads Emma in questioning, guilts Emma for sticking up for Audrey (“If Audrey goes free and someone else dies, you are just as guilty as she is”) and she’s rude. I was wrong last week, she might be a worse cop than Detective Tanner from Pretty Little Liars.
  • Does anyone care whether Will lives or dies? I sure don’t.
  • That was a pretty cool tracking shot with Noah talking about all the suspects and having Will, Jake and Brooke all walk by him as he described their character tropes. More things like that, please.
  • Seriously, does Piper just wait in that coffee shop for the kids to come around? Let her go snoop around or something! Be proactive, Piper!
  • “Nina was a bitch. Nobody expected anything better from her.” -How many times do you think Nina’s been called a bitch this season? It’s got to be pretty high for someone who has been dead for a few weeks.
  • Noah and Audrey giving each other resting creep face was cute.
  • Mr. Branson is still under suspicion, in case you cared. And Noah gets his fingerprint with an app. Alright.
  • Emma: “What if my friend is capable of murder?” Maggie: “Grab your jacket. We’re going out.” -Wow, Maggie. Way to parent.

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Movies

‘Slaughter Beach’ Review – Troma-Style Horror-Comedy Slasher Now Streaming on Tubi

Published

on

Life’s a beach and then someone dies in Slaughter Beach, a low budget horror-comedy slasher from the crew at Clockout Films. Last week, the film’s official premiere was hosted by Delco Horror Haven, a new non-profit horror organization dedicated to supporting indie horror in the greater Philadelphia area.

Director Daniel C. Davis (Same Dance) takes a different approach with his take on the serial killer subgenre. When two underachievers are unable to land jobs due to a serial killer ruining their beach town’s tourism and economy, the duo become low rent superhero crime fighters to end the murderer’s reign of terror. Ralph (Jon McKoy) and Barry (Ethan Han) develop their new personas, Awesome Boy and Bludgeon Man respectively, to form the Defender Benders and clean up the streets in their Bender Mobile.

The film’s main antagonist causing havoc in their coastal town is a killer fisherman who yields a murderous hook. From that description, you’d might think it’s a nod to I Know What You Did Last Summer, but our yellow slicker-wearing killer resembles the Gorton Seafood’s fisherman mascot more than Ben Willis. Especially since there is no mystery to the killer’s identity by the midway point of the proceedings. Our villain also rocks a tackle box filled with body parts from his victims that he uses as bait for his fishing adventures in between kills. So as you can see, our villain is indeed a unique one, or as unique as you can be following the thousands of slasher film villains that have come beforehand.

The film’s first act really focuses on developing our two main characters as we follow their bizarre foray into crimefighting via some silly scenarios. But once they cross paths with Fish Man Sam (Jim Cannatelli) spouting his Moby Dick-esque tale of Lulu the giant Horseshoe crab, which I recently learned is a medicinal crab, the killings become plentiful, and things start to take off.

Can Ralph prove his dad wrong by rising above his slacker status with Barry to defend his turf from the evil fisherman on a serious murder bender? Or can he at least just get some form of employment and help pay their bills? Is Lulu really a horseshoe crab or just a horse shit tale? You’ll have to walk in the sands of Slaughter Beach to find out.

As you can tell by that premise, the emphasis of this horror-comedy leans more to the comedic side of the field, but there are enough creative kills and surprisingly great practical gore effects for such a humble budget to scratch that horror itch. Ever see an’80s-inspired murder spree montage set to upbeat music in a film before? Slaughter Beach checks that box rather entertainingly. Again, the montage is played for laughs versus scares, but it is nonetheless effective with its use of gore while still maintaining the film’s intended zany, off the wall tone.

Director Davis employs many slasher flick tropes such as a folklore legend used to drive the narrative, the villain casting some one-liners during their kills, ineffective and incompetent local law enforcement, and a killer mainly using a signature weapon on their prey. However, it’s all played with tongue firmly jammed in cheek, which is the right play for this type of film.

The best way to gauge your interest for whether you should watch this film or not is how you feel about Troma films. Because Slaughter Beach most certainly feels inspired by some of the older throwback films within Lloyd Kauffman’s cinematic playground in many ways. Watch this film if you see that as complimentary statement, or steer clear if you are on the opposite side of Troma’s very polarizing spectrum.

This 78-minute affair was produced with little budget, but also noticeably with a lot of heart. Not to mention a pretty killer soundtrack that really sticks out in a good way, especially during the beach scenes. It is also short enough with the right balance of levity to offer up some quick, mindless fun. And isn’t that something we all need more of in life?

Slaughter Beach can be viewed for free online right now at Tubi.

Delco Horror Haven is planning more independent film premieres throughout 2024. You can keep up to date with all their events over on the official Delco Horror Haven Facebook page.

Continue Reading