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[Blu-ray Review] ‘Slugs’ is a Creepy, Crawly 80’s Splatter Fest

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In a small New York town dead bodies start popping up left and right. That in and of itself is bad news, but making matters much worse is that the bodies are in grisly shape appearing to have been eaten away by something. Eyes are missing from sockets, flesh is chewed away down to the bone. What could be the cause? Rats? Raccoons? Some other small critter? Turns out it’s slugs. Yes, slugs.

This of course is the plot of the 80’s slimy creature feature Slugs. Of course.

Michael Garfield stars as Mike Brady, the town health inspector set on getting to the bottom of this strange epidemic. After getting bit by a slug in his front yard Mike begins to develop a theory that sounds crazy…at first. He captures the slimy insect and rushes it down to the science teacher at the local high school. Tests on the slug suggest something is different about this slug, something that isn’t normal. After some more digging Mike discovers that a large portion of the town was built over what used to be a toxic waste site. Construction on a new mall in the town has opened the site up releasing toxic gases into the sewer system which in turn has mutated the slugs into killing machine. Mike and the town only have one solution – blow them up!

Slugs is so much stupid fun. I watched this movie alone, but it would make for  a great party movie with a bunch of friends. It has everything you want in an 80’s B-movie. You take something fairly common and harmless and turn it into a killing machine. The plot is ridiculous but they do enough to try and make sense of it all throughout that you end up thinking to yourself, “yeah, ok, this makes sense to me.” And best of all the film is packed with practical effects. Head explosions, bursts of blood, eyes popping out of sockets, skin being ripped away, you name it and it’s here. Oh and explosions. Lots and lots of explosions. Also I think they killed lots of real slugs. They definitely made fake ones too, but they used real ones and I’m pretty sure they just stomped all over them. I even checked in the credits and there was no message indicating that animals were not harmed. The 80’s!

Slugs was directed by Juan Piquer Simón – a director I happen to be quite fond of (read my review for Pieces, one of my favorite slashers of all time). On the surface Slugs is a huge step up from Pieces for Simón. It’s a much more polished film and you can see that Simón made great strides to improve as a director. Personally I still prefer Pieces and view it as the superior movie, but you can certainly see the improvements Simón made over the years.

Much like other Simón films Slugs features performances that are best described as bizarre. In a film like Pieces Simón worked with some talented actors, mainly Christopher George, Lynda Day George and Paul L Smith. Those are three actors that over the course of their respective careers appeared in a number of good movies giving good performances. But in Pieces their performances are different. I wouldn’t go as far as too say bad, but they’re not good either. They’re just weird. The performances in Slugs (and other Simón movies like The Rift) are exactly the same, it’s just that in Slugs none of the actors are really “name” actors. This probably has to do with the fact that Simón was a Spanish director who spoke little to no English. His crews were always a mix of Spanish and American actors that really weren’t able to communicate too well with one another. Combine this with the fact that Simón usually did one take and moved on and it’s easy to see how the performances came out the way they did. I don’t mind this at all though. I think it gives Simón’s films a certain charm and sort of works as his stamp.

Slugs is now out on Blu-ray from Arrow Video and it looks gorgeous. The transfer was scanned in 2K from the original 35mm print delivering a beautiful looking picture. I can’t stress enough how amazing it is that we have B-movies that look this good. What a time to be alive.

The release also has some wonderful special features:

•Audio commentary by writer and filmmaker Chris Alexander
•Here’s Slugs In Your Eye – an interview with actor Emilio Linder
•They Slime, They Ooze, They Kill: The Effects of Slugs – an interview with special effects artist Carlo De Marchis
•Invasion USA – an interview with art director Gonzalo Gonzalo
•The Lyons Den – an interview and locations tour with production manager Larry Ann Evans
•1988 Goya Awards promo reel
•Original Theatrical Trailer
•Reversible sleeve featuring original and newly commissioned artwork by Wes Benscoter
•Fully-illustrated collector’s booklet featuring new writing by writer Michael Gingold

The interviews with Carlo De Marchis and Larry Ann Evans are especially good. Both Marchis and Evans touch base on how Simón directed actors and how he got the performances he did. Marchis, in discussing the special features, talks about how Simón exceeded in directing scenes heavy in special effects but struggled when directing actors. Evans attributes this to the language barrier between Simón and his stars. Despite the difficulties Simón may have had in this regard, both Marchis and Evans are quick to point out how relaxed and fun Simón’s sets were and how the cast and crew always felt at ease.

Slugs is fun, man. Lots and lots of absurd fun. It’s a creepy, slimy, crawly 80’s splatter fest. Highly recommended.

Slugs is now available on Blu-ray from Arrow Video.

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Chris Coffel is originally from Phoenix, AZ and now resides in Portland, OR. He once scored 26 goals in a game of FIFA. He likes the Phoenix Suns, Paul Simon and 'The 'Burbs.' Oh and cats. He also likes cats.

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‘Hollywood Dreams & Nightmares: The Robert Englund Story’ Slashes into VHS from Lunchmeat!

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ollywood Dreams & Nightmares: The Robert Englund Story

The SCREAMBOX Original documentary Hollywood Dreams & Nightmares: The Robert Englund Story is now streaming on SCREAMBOX, and it’s next coming to VHS!

A limited edition of only 50 copies worldwide, the VHS copies of the Englund documentary will go up for grabs on Saturday, April 27 at 12pm EST on Lunchmeat’s official website.

Josh Schafer of Lunchmeat explains, “With so many of Englund’s works being seen and familiarized on videotape, it only felt right to offer fans and collectors the opportunity to experience this fantastic doc on VHS. We all know the Freddy movies just feel different on videocassette, and we wanted to bring that feel to this film for those who want it.”

“Since first donning a tattered fedora and a glove of eviscerating blades in 1984, Robert Englund has become a beloved horror icon. His portrayal of Freddy Krueger is without doubt a moment as visceral to the horror genre as Chaney’s werewolf or Karloff’s groundbreaking realization of Frankenstein’s monster. However, few realize the depths of Englund’s true power as a character actor away from the latex mask and iconic red and green sweater.

“A classically trained actor and director, Robert Englund has become one of the most revolutionary horror icons of our generation.. This unique and intimate portrait captures the man behind the glove and features interviews with Englund and his wife Nancy, Lin Shaye, Eli Roth, Tony Todd, Heather Langenkamp, and more.

“This is the quintessential documentary on the man who didn’t just bring Freddy Krueger to horrific and historic life on-screen and beyond, but has created a fantastic career as an elite actor and entertainer.”

Selling for $30, the VHS is presented in native widescreen format & duplicated in NTSC, housed in full-color slipcase and pressed on black videocassettes with silver foil face and side labels.

The VHS release is presented in partnership with Cineverse, Bloody Disgusting, and Screambox, in association with Dead Mouse Productions and Cult Screenings U.K.

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