Movies
[Review] ‘Marrowbone’ Is An Overstuffed Ghost Story/Period Romance/Mystery Film
Screenwriter Sergio G. Sánchez has written some incredible films, but he has never been given a shot at directing. Repeatedly turned down by several production companies to direct The Orphanage, he had to see his screenplay be masterfully directed by J.A. Bayona, who also directed his other screenplay (The Impossible). With Marrowbone, Saánchez finally has the chance to turn his own screenplay into a film, but unfortunately, the result is a mixed bag.
In 1969, the Marrowbone family, comprised of mother Rose (Nicola Harrison) and children Jack (George Mackay), Billy (Charlie Heaton, Stranger Things), Jane (Mia Goth, A Cure for Wellness) and Sam (Matthew Stagg), moves to America to escape their villainous patriarch. Shortly after settling in, Rose becomes ill and, before she dies, makes Jack promise to not tell anyone about her death until he is 21 and legally able to care for his siblings. One day, a bullet flies through one of the windows, scaring the children. The film then flashes forward six months and sees the children living in the now-dilapidated house that now houses a mysterious ghost. Further complicating matters is curious lawyer Tom (Kyle Sollner), who is trying to complete the Marrowbones’ legal matters while also competing for Allie’s (Anya Taylor-Joy, The Witch, Split) affections with Jack. Oh, and there’s also a mystery about the Marrowbone patriarch’s murderous past and hidden blood money.
If it sounds like there’s a lot going on in Marrowbone, it’s because there is. Marrowbone just has too much going on to make it a compelling film. The film’s excruciatingly long 110 minutes are filled to the brim with subplot after subplot, which prevents the buildup of any actual tension. In attempting to be a period drama, a romance, a ghost story and a mystery, Marrowbone tries to have its cake and eat it too. None of the films it tries to be is wholly successful because none of them are given enough attention. By the time the twists start piling up in the third act, the viewer’s reaction will be one of relief rather than satisfaction. That’s not something you want for your film. Speaking of those twists, Sánchez dips into the same well he did with The Orphanage as well as films like (this is spoiler-y, so view/highlight at your own risk) The Boy and Housebound.
The performances are all solid, however, with Mackay carrying the film for the most part. Mia Goth, who showed promise in last year’s A Cure for Wellness, is equally strong in her scenes. Taylor-Joy, as talented as she is, could have been completely excised from the film and it wouldn’t make much of a difference. This is a shame considering she’s one of the most talented members of the cast, but she is given the thankless role of the concerned love interest. Her scenes with Mackay are so few that you’re never able to fully buy into their relationship, which severely diminishes the dramatic effect of the film’s climax.
What the film does have going for it is Sánchez’s directing. For a first time director, the man shows remarkable confidence behind the camera. The man clearly has an affinity for Gothic cinema, and his Spanish influences are apparent in many of the settings. He also proves adept at crafting scares, though those scenes are few and far between. The Marrowbone house is a creepy-looking thing, and the film gives off a notable sense of claustrophobia once the camera journeys into its nooks and crannies.
If you’re looking for a new twist on a ghost story, you could do a lot worse than Marrowbone, but you could also do a lot better. It’s a shame that Sánchez didn’t devote enough time to his screenplay as he did to his directing, as the film is rather beautiful and well-made. He just tries to cram far too much into one film. Ultimately, Marrowbone is an ambitious failure, and that alone almost makes it worth a watch.
Marrowbone is currently available on iTunes, Amazon Instant and other VOD services.
This week’s new releases offer everything from giant monsters to Spielberg aliens to ass-kicking martial artists and even an ash-eating medical student. Do we have your interest?
Here’s all the new genre movies that released on Friday, June 12, 2026!
These aren’t all HORROR movies, but we want you to be aware of them all the same…
Norwegian creature feature Kraken is now available on Digital.
The film was also unleashed in select theaters. Check your local listings.
In the monster movie Kraken, “unnatural behavior in wild salmon, followed by inexplicable deaths in Norway’s deepest fjord, points to the mythical Kraken. The ancient, multi-armed monster has awakened, ready to crush everything that moves or makes a sound.”
Pål Øie (The Tunnel) directs Samuel Goldwyn Films’ Kraken from a script by Vilde Eide, Kjersti Jelen Rasmussen, and Natasha Arthur. Sara Khorami, Mikkel Bratt Silset, Øyvind Brandtzæg, Jenny Evensen, Ingvild Holthe Bygdnes, Jon Erik Myre, Hans Morten Hansen, Steinar Klouman Hallert, and Filip Bargee Ramberg star.
An all girls trip into the desert for escapism fun instead implodes in violence in the revenge thriller Find Your Friends, now streaming only on Shudder.
In the film, “Amber and her four best friends flee Los Angeles for a girls’ trip in Joshua Tree, only to find themselves unwelcome in a desert town simmering with quiet hostility. As isolation sets in and encounters with aggressive locals grow more threatening, festering resentments within the group begin to surface.
“What begins as fun and reckless escape spirals into a violent struggle for control and survival, as past wounds and present dangers collide in a night that turns their trip into a nightmare.”
Bella Thorne (The Babysitter), Chloe Cherry (“Euphoria”), Helena Howard (I Saw the TV Glow), Sophia Ali (Uncharted), Zion Moreno (“Gossip Girl”), and Chris Bauer (“True Blood”) star in the feature debut by writer/director Izabel Pakzad.
Steven Spielberg is more sure today than he was when he made Close Encounters and ET that aliens are very real, and with Disclosure Day, he aims to make you a believer too.
Okay so it’s not a horror movie, but the sci-fi blockbuster is now playing in theaters.
The vague synopsis for Disclosure Day reads: “If you found out we weren’t alone, if someone showed you, proved it to you, would that frighten you? This summer, the truth belongs to seven billion people. We are coming close to Disclosure Day.”
The film stars SAG winner and Oscar® nominee Emily Blunt (Oppenheimer, A Quiet Place), Emmy and Golden Globe winner Josh O’Connor (Challengers, The Crown), Oscar® winner Colin Firth (The King’s Speech, Kingsman franchise), Eve Hewson (Bad Sisters, The Perfect Couple) and two-time Oscar® nominee Colman Domingo (Sing Sing, Rustin).
Based on a story by Spielberg, the screenplay is by David Koepp, whose previous work with Spielberg includes the scripts for Jurassic Park, The Lost World: Jurassic Park, War of the Worlds and Indiana Jones and the Kingdom of the Crystal Skull. Combined, those films earned more than $3 billion worldwide. Koepp also wrote the script for Jurassic World Rebirth.
Steven Spielberg is of course no stranger to extraterrestrial encounters, directing two of the greatest alien movies of all time: Close Encounters of the Third Kind in 1977 and E.T. in 1982. It’s an arena he returned to in 2005, directing an adaptation of H.G. Wells’ War of the Worlds.
Here in 2026, Steven Spielberg sees hope in the existence of aliens. He notes in the final trailer for Disclosure Day, “How will disclosure change us? I believe for the better.”
Another movie that’s not a horror movie but worth mentioning here is the violent martial arts revenge thriller The Furious, which is now playing in theaters from Lionsgate.
Xie Miao (The New Legend of Shaolin) and Joe Taslim (Mortal Kombat) star.
After his daughter is kidnapped by a criminal network and he receives no help from the corrupt police, Wang Wei sets out on a rampage to find her himself.
His only ally is Navin, a relentless journalist whose wife has mysteriously disappeared. Fueled by a furious vengeance, the unlikely duo ruthlessly fights against the kidnappers.
Kenji Tanigaki (Enter the Fat Dragon) directs from a script by Mak Tin Shu (Kung Fu Jungle), Lei Zhilong, Shum Kwan Sin (Twilight of the Warriors: Walled In), and Frank Hui.
A disturbing weight loss craze involving human ashes opens up a haunting world of hurt for a young woman in Saccharine, which is now available on Digital outlets at home.
From writer/director Natalie Erika James (Relic, Apartment 7A), the Australian supernatural body horror film follows lovelorn medical student Hana, who becomes terrorized by a sinister force after taking part in an obscure weight loss craze: eating human ashes.
Midori Francis (“Grey’s Anatomy”), Danielle Macdonald (Patti Cake$), and Madeleine Madden (“The Wheel of Time”) star in Natalie Erika James’ latest nightmare.
From directors Arturo Ambriz and Roy Ambriz, I Am Frankelda is billed as the first ever full length stop motion movie from Mexico, and it’s now streaming on Netflix.
The history-making stop-motion film is a dark fantasy set in a world of monsters.
Here’s the synopsis: “In 19th-century Mexico, Frankelda is a gifted writer whose dark tales are ignored and dismissed. Forced to suppress her voice, she refuses to give up, even as many try to silence her. But when she is thrust into her subconscious, the very monsters she created come to life.
“Guided by Herneval, a tormented prince trapped between dreams and nightmares, she must restore balance between fiction and reality before both realms collapse. Meanwhile, the sinister writer Procustes and his conspirators plot to seize control. As Frankelda and Herneval grow closer, their bond becomes both a strength and a curse.
“To rewrite their fate, she must confront a love that defies existence and reclaim her power as a storyteller—before dark forces consume her imagination and reveal horrors beyond her creation.”
The directors said in a joint statement, “As brothers, we grew up inventing worlds together, drawing, playing, imagining. Over time we understood that fictional characters were not only companions but guides. Sometimes they felt closer than the people around us. They provided us courage, wisdom, and solace. We believe fiction is not an escape from reality but a way of understanding it. A way of converting truth into palatable chunks. I Am Frankelda comes from a lifelong love of storytelling.”
Mireya Mendoza, Arturo Mercado Jr., and Luis Leonardo Suarez lead the voice cast.
Meagan Navarro writes in her review for Bloody Disgusting, “Mexico’s first stop-motion animated feature is a macabre beauty.” Meagan also notes in her review, “I Am Frankelda is a gothic fantasy feature whose boundless creativity is matched by its ambition.”
The lines of reality and delusion blur in Time of Death, now available on Digital.
Michael Kelly (“The Penguin,” Dawn of the Dead 2004) stars with Kevin Pollak (End of Days), Mena Suvari (Vampires of the Velvet Lounge), and Dennis Haysbert (Send Help).
In the horror-thriller, “When a prisoner vanishes without a trace, Detective Frank Morley (Michael Kelly) is sent to a decaying prison on the verge of shutdown. What begins as a routine investigation quickly spirals into a dangerous search for answers.”
Will Wernick (Escape Room 2017, Follow Me) directs from a script by Jason Rosen. They also produce alongside Kelly Delson, Jeff Delson, and Kyle David Crosby.
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