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‘The Quarry’ Review – A Worthy Slasher Successor to ‘Until Dawn’

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The Quarry review

Since Supermassive GamesUntil Dawn was released in 2015, it’s grown into a cult classic in a lot of circles. Fans of slashers movies, fans of choice-based narratives, fans of Hayden Panettiere and Rami Malek–Until Dawn featured something for everyone and carved its spot in horror gaming canon. But just like the myriad of sequels spawned from cult classic slasher films, Supermassive Games’ successors to Until Dawn in the form of The Dark Pictures Anthology have proven to be polarizing for audiences. Many have stated that the new games haven’t replicated the accomplishments of the OG or built off of the foundation that it set.

In comes The Quarry. Published in collaboration with 2K, Supermassive Games took the bold move of explicitly labeling it as the spiritual successor to Until Dawn, bringing in star power such as David Arquette, Ted Raimi, and Lin Shaye to boot. With a group of hormonal teens in the woods and creatures growling in the horizon, the formula is there–but did it pay off this time around?

If you needed any indication that The Quarry is essentially a teen slasher movie that you inject yourself into, let the opening scene of ominous shots of the woods accompanied by Ariana Grande’s dreamy track “Moonlight” set the mood. Familiar tropes will appear; should you listen to the overbearing cop, portrayed with the perfect eccentricity that you’d expect from Ted Raimi, telling you to avoid arriving at camp one night early? Hell no! There’s a creepy locked basement with strange noises coming out of it? Of course you’ll traipse into it (all while referencing The Evil Dead). It’s immediately clear that The Quarry has nailed the quirky tone that campy slashers typically employ, and genre lovers will surely get a kick out of it.

The Quarry review 3

The premise is familiar yet fresh, and after a tense prologue that leaves the fate of two hapless camp counselors in limbo, you step into the daylight three months later to meet the rest of the crew. Taking place at the conclusion of the summer at Hackett’s Quarry Summer Camp, seven counselors end up having one last hoorah on the night that they’re supposed to leave after lovelorn jock Jacob sabotages the camp van to spend more time with social media influencer Emma. They’re joined by other living archetypes: mysterious loner Ryan (Justice Smith), headstrong tinkerer Kaitlyn (Brenda Song), and shy and artsy Abigail (Ariel Winter) to name a few, but not camp director Chris Hackett (David Arquette), who abruptly jumps in his car and zooms off. Do they heed Chris’ warning to stay indoors for the night? Of course not!

The first couple chapters serve as an opportunity to get to know each of the characters, explore the camp, and undergo a handful of gameplay tutorials. Overall, these chapters lend a slow-burn feel as the sun begins to set and the fun begins, but at times, it can feel very slow. While you aren’t watching cutscenes or interacting with objects in the environment, the most you do in these chapters is either make inconsequential dialogue choices or encounter mundane QTEs (quick-time events) to the extent of catching something that another counselor has tossed you. The sense of danger feels largely non-existent, and if you aren’t jiving with the counselors, this section of the game could feel like a bit of a slog. I found myself laughing out-loud at some of the one-liners, cringing at others, but most of all, craving the moment that it started to feel like my choices were the deciding factor of whether someone lived or was decapitated.

Luckily, once the sun set, the fear factor rose.

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The horror of The Quarry landed in the middle for me–there are some pretty brutal kills (with one kill in particular being one of the gnarliest kills I’ve seen in horror media) and some intense chase scenes, but overall, I found it more suspenseful than anything else. It’s effective for a casual audience. If you’re a huge horror fan, there are a handful of moments that will definitely scratch the itch, and if you’re a bit more apprehensive about the thought of being so scared that you’ll pee yourself, The Quarry never pushes the boundary of being utterly terrifying. I found myself more intrigued about investigating what exactly happened at the camp than I was scared to delve into the woods and explore.

Without getting into spoilers, The Quarry incorporates complex story elements that up the ante a bit more than just who lives and who dies. Once you unearth the secret of Hackett’s Quarry, you need to start thinking about both the short-term and long-term goals that you have for the night. There’s a whole flock of counselors, and if you’re planning on having them all see the light of day, it’s going to require a lot of strategic thinking and luck. While it wasn’t available on release, an online co-op multiplayer mode will release in July that will surely make it an even more tense game of choice and strategy.

In lieu of Peter Stormare’s therapist character that would appear between chapters in Until Dawn, the ghostly Eliza Vorez (Grace Zabriskie) now appears with a crystal ball and offers players clues after each chapter if they’re able to pick up her tarot cards scattered throughout camp. Additionally, Supermassive Games included a couple quality-of-life improvements for the more casual gamer. QTEs are much easier to succeed at, and if you’d prefer a completely hands-off experience, a cinematic mode enables you to select the exact playthrough you’d like to see (everyone lives, everyone dies, etc.) and then simply watch it all unfold.

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The second half of The Quarry had me much more sucked in, and once I finally had a grasp on what the counselors were pitted against, the game played like a page-turner thriller novel. All of the plot elements manage to reconcile and by the end, the dots between all of the different characters fluidly begin to connect. I was hoping for a bit more from the epilogue after managing to save my group of counselors, but when I realized the vast amount of endings that I could’ve potentially received otherwise, it made me respect just how much The Quarry has to offer.

Overall, I have a feeling that The Quarry will get the Until Dawn treatment. The goofy one-liners, the wide array of endings, the gnarly kills, and the dramatic story behind what transpired at Hackett’s Quarry will become well-known memes and facets in horror gaming. While I don’t believe it has surpassed the original completely, I appreciate the ways in which Supermassive Games has innovated the formula, especially seeing how they’ve taken lessons learned from The Dark Pictures Anthology. I’d say The Quarry is a lot like Halloween III: it may not land for everyone, but for the ones it does, they’ll likely make it a cult classic.

The Quarry is now available on most platforms, including Playstation 4 & 5, Xbox One, and PC.

Brandon is a writer and survival horror enthusiast based in Philadelphia, PA. He is adamant that point-and-click survival horror should return.

Reviews

“AHS: Delicate” Review – “Little Gold Man” Mixes Oscar Fever & Baby Fever into the Perfect Product

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American Horror Story Season 12 Episode 8 Mia Farrow

‘AHS: Delicate’ enters early labor with a fun, frenzied episode that finds the perfect tone and goes for broke as its water breaks.

“I’ll figure it out. Women always do.”

American Horror Story is no stranger to remixing real-life history with ludicrous, heightened Murphy-isms, whether it’s AHS: 1984’s incorporation of Richard Ramirez, AHS: Cult’s use of Valerie Solanas, or AHS: Coven’s prominent role for the Axeman of New Orleans. Accordingly, it’s very much par for the course for AHS: Delicate to riff on other pop culture touchstones and infinitely warp them to its wicked whims. That being said, it takes real guts to do a postmodern feminist version of Rosemary’s Baby and then actually put Mia Farrow – while she’s filming Rosemary’s Baby, no less – into the narrative. This is the type of gonzo bullshit that I want out of American Horror Story! Sharon Tate even shows up for a minute because why the hell not? Make no mistake, this is completely absurd, but the right kind of campy absurdity that’s consistently been in American Horror Story’s wheelhouse since its inception. It’s a wild introduction that sets up an Oscar-centric AHS: Delicate episode for success. “Little Gold Man” is a chaotic episode that’s worth its weight in gold and starts to bring this contentious season home. 

It’d be one thing if “Little Gold Man” just featured a brief detour to 1967 so that this season of pregnancy horror could cross off Rosemary’s Baby from its checklist. AHS: Delicate gets more ambitious with its revisionist history and goes so far as to say that Mia Farrow and Anna Victoria Alcott are similarly plagued. “Little Gold Man” intentionally gives Frank Sinatra dialogue that’s basically verbatim from Dex Harding Sr., which indicates that this demonic curse has been ruffling Hollywood’s feathers for the better part of a century. Anna Victoria Alcott’s Oscar-nominated feature film, The Auteur, is evidently no different than Rosemary’s Baby. It’s merely Satanic forces’ latest attempt to cultivate the “perfect product.” “Little Gold Man” even implies that the only reason that Mia Farrow didn’t go on to make waves at the 1969 Academy Awards and ends up with her twisted lot in life is because she couldn’t properly commit to Siobhan’s scheme, unlike Anna.

This is easily one of American Horror Story’s more ridiculous cold opens, but there’s a lot of love for the horror genre and Hollywood that pumps through its veins. If Hollywood needs to be a part of AHS: Delicate’s story then this is actually the perfect connective tissue. On that note, Claire DeJean plays Sharon Tate in “Little Gold Man” and does fine work with the brief scene. However, it would have been a nice, subtle nod of continuity if AHS: Delicate brought back Rachel Roberts who previously portrayed Tate in AHS: Cult. “Little Gold Man” still makes its point and to echo a famous line from Jennifer Lynch’s father’s television masterpiece: “It is happening again.”

“Little Gold Man” is rich in sequences where Anna just rides the waves of success and enjoys her blossoming fame. She feels empowered and begins to finally take control of her life, rather than let it push her around and get under her skin like a gestating fetus. Anna’s success coincides with a colossal exposition dump from Tavi Gevinson’s Cora, a character who’s been absent for so long that we were all seemingly meant to forget that she was ever someone who was supposed to be significant. Cora has apparently been the one pulling many of Anna’s strings all along as she goes Single White Female, rather than Anna having a case of Repulsion. It’s an explanation that oddly works and feeds into the episode’s more general message of dreams becoming nightmares. Cora continuing to stay aligned with Dr. Hill because she has student loans is also somehow, tragically the perfect explanation for her abhorrent behavior. It’s not the most outlandish series of events in an episode that also briefly gives Anna alligator legs and makes Emma Roberts and Kim Kardashian kiss.

American Horror Story Season 12 Episode 8 Cora In Cloak

“Little Gold Man” often feels like it hits the fast-forward button as it delivers more answers, much in the same vein as last week’s “Ava Hestia.” These episodes are two sides of the same coin and it’s surely no coincidence that they’re both directed by Jennifer Lynch. This season has benefitted from being entirely written by Halley Feiffer – a first for the series – but it’s unfortunate that Lynch couldn’t direct every episode of AHS: Delicate instead of just four out of nine entries. That’s not to say that a version of this season that was unilaterally directed by Lynch would have been without its issues. However, it’s likely that there’d be a better sense of synergy across the season with fewer redundancies. She’s responsible for the best episodes of AHS: Delicate and it’s a disappointment that she won’t be the one who closes the season out in next week’s finale.

To this point, “Little Gold Man” utilizes immaculate pacing that helps this episode breeze by. Anna’s Oscar nomination and the awards ceremony are in the same episode, whereas it feels like “Part 1” of the season would have spaced these events out over four or five episodes. This frenzied tempo works in “Little Gold Man’s” favor as AHS: Delicate speed-runs to its finish instead of getting lost in laborious plotting and unnecessary storytelling. This is how the entire season should have been. Although it’s also worth pointing out that this is by far the shortest episode of American Horror Story to date at only 34 minutes. It’s a shame that the season’s strongest entries have also been the ones with the least amount of content. There could have been a whole other act to “Little Gold Man,” or at the least, a substantially longer cold open that got more out of its Mia Farrow mayhem. 

“Little Gold Man” is an American Horror Story episode that does everything right, but is still forced to contend with three-quarters of a subpar season. “Part 2” of AHS: Delicate actually helps the season’s first five episodes shine brighter in retrospect and this will definitely be a season that benefits from one long binge that doesn’t have a six-month break in the middle. Unfortunately, anyone who’s already watched it once will likely not feel compelled to experience these labor pains a second time over. With one episode to go and Anna’s potential demon offspring ready to greet the world, AHS: Delicate is poised to deliver one hell of a finale.

Although, to paraphrase Frank Sinatra, “How do you expect to be a good conclusion if this is what you’re chasing?” 

4 out of 5 skulls

American Horror Story Season 12 Episode 9 Anna Siobhan Kiss

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