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“Undead Murder Farce” Review – A Gothic Horror Supernatural Detective Anime About a Severed Head

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Undead Murder Farce review

A bored executioner teams up with an immortal severed head and her combat maid to solve mysteries and fight monsters.

“You’re one of the monsters.”

Undead Murder Farce takes everything you know about gothic horror and murder mystery detective fiction and then stretches it almost cartoonishly out of proportion like it’s being watched through a funhouse mirror. Think you’ve seen your share of demon slayer stories? Then let’s throw in Jack the Ripper, Arsène Lupin, and Sherlock Holmes for good measure. Tired of the “monster of the week” genre? Well, what if Frankenstein’s Monster and the Phantom of the Opera were in the mix with vampires, werewolves, and every other supernatural creature imaginable? It’s elementary, my dear Renfield. 

Oh yeah, and the main character is an immortal severed head. 

All of that just scratches the surface of Undead Murder Farce, a supernatural detective anime series that would be like if Daniel Craig’s Benoit Blanc was partners with Belial from Basket Case.

Set in an alternate version of 19th century Europe that’s ripe in monsters, the series follows a seasoned Oni Slayer, Tsugaru Shinuchi, who is currently going through the motions and lost his luster when it comes to sleek executions. Tsugaru is used to taking on odd jobs, but Aya Rindo is his oddest client yet–an immortal head in a cage who’s transported around by her combat maid, Shizuku Hasei. After nearly 1,000 years of unrest, Aya hires this put-upon Oni Slayer to orchestrate her execution. In exchange, she’ll spare him a grisly fate where he’s consumed by oni and loses his humanity; Saliva-swapping supernatural shenanigans ensue and Undead Murder Farce is off to the races. 

The opening minutes of Undead Murder Farce plainly address the absurdist nature of this narrative. “It is what one might call a farce…,” insists this on-screen text. However, Undead Murder Farce refers to “farce” in the truest sense of the word where it means an off-kilter perversion rather than this dark anime trading in broad, slapstick comedy. Make no mistake, this is a dark, nihilistic tale. Any farces here are meant to laugh in the face of God, not be laughed at themselves. 

Undead Murder Farce quickly establishes its stakes and the overwhelming strength–but also the unique setbacks–for Oni-human hybrids. These unique individuals can put both standard Oni and the most talented of swordsman to shame. A larger quest also breaks out to recover Aya’s body, which evidently prevents her head from simply regenerating the rest of herself and returning to full strength.

There are really effective character designs here where Tsugaru, Aya, and Shizuku all look familiar, but also feel distinct and stand out in what can otherwise be a dour universe. The same is true whenever Undead Murder Farce features famous figures from history or literature, all of whom undergo radical makeovers that make them feel unique to this universe. This cornucopia of constant chaos makes Undead Murder Farce really feel like a Takashi Miike movie in anime form. He’d truly be the perfect person to helm a live-action adaptation if Undead Murder Farce goes on to reach such levels of notoriety. It adeptly juggles multiple genres at once, each of which grow odder through osmosis.

Undead Murder Farce anime

A lot of Undead Murder Farce showcases impressive and creative fight scenes that feature atypical choreography and complications that elevate them beyond two competent warriors who trade blows back and forth. Shizuku’s bayonet combo leads to some particularly inspired fight sequences. Undead Murder Farce also turns to some really effective editing and visual flairs between Aya and Tsugaru’s introductory conversations that makes sure that these more expository moments are still visually dynamic and properly pop. This carries throughout the rest of the series and conveys a heist-like energy even during the series’ more muted moments. Undead Murder Farce also features such incredible explosions of color. It doesn’t seem as if kaleidoscopic rainbow bursts would fit with such nihilistic subject matter, but it really helps punctuate this world. It’s a clever way to visually represent the tonal dissonance in which the anime finds its strength.

As far as anime series premieres go, Undead Murder Farce covers a surprising amount of ground when it comes to not only its unique world-building, but also Aya and Tsugaru’s characters. The premiere is far more than a flashy information dump and table-setting. That being said, the premiere’s economical nature makes it that much easier for the subsequent installments to properly hit the ground running and really showcase this supernatural world’s personality. The first handful of episodes showcase diverse mysteries with larger than life personalities that give a better indication of the anime’s episodic structure. Any forward momentum with the grander plot is genuinely exciting, but it’s the standalone mysteries where Undead Murder Farce excels. There’s definitely pangs of Columbo or Poker Face here as Tsugaru, Aya, and Shizuku move from town to town and seemingly act as beacons for crime and mystery. When it comes to actual horror, Undead Murder Farce is unlikely to genuinely scare any seasoned horror fans (although it will no doubt surprise them), but it does present deeper terrors than merely brutal violence and heavy bloodshed.

Undead Murder Farce is ultimately about an immortal person’s quest for eternal rest, but in doing so it also explores what it means to be alive and what motivates lost souls, like Tsugaru, to go on living when submission would be so much easier. It also examines the delicate difference between those that live life to its fullest and those that recklessly rush towards death. This becomes the emotional beating heart to the series that helps it gain greater substance than just a hack-and-slash fest with morbid characters and captivating mysteries.

Undead Murder Farce is one of the most unique anime of the year, but its strong character development, well-constructed mysteries, and passion for monster massacres will make this fringe title appeal to any newcomers to the medium. There’s enough weird, wild stuff afoot that will satisfy anyone who’s even mildly curious about this brooding, bold genre experiment. It’s such a good time with infinite room to grow that audiences are bound to be disappointed the next time a new monster hunter arises who doesn’t have a severed head as a boss. 

‘Undead Murder Farce’ is now streaming on Crunchyroll, with new episodes premiering on Wednesdays.

Daniel Kurland is a freelance writer, comedian, and critic, whose work can be read on Splitsider, Bloody Disgusting, Den of Geek, ScreenRant, and across the Internet. Daniel knows that "Psycho II" is better than the original and that the last season of "The X-Files" doesn't deserve the bile that it conjures. If you want a drink thrown in your face, talk to him about "Silent Night, Deadly Night Part II," but he'll always happily talk about the "Puppet Master" franchise. The owls are not what they seem.

Movies

‘Slaughter Beach’ Review – Troma-Style Horror-Comedy Slasher Now Streaming on Tubi

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Life’s a beach and then someone dies in Slaughter Beach, a low budget horror-comedy slasher from the crew at Clockout Films. Last week, the film’s official premiere was hosted by Delco Horror Haven, a new non-profit horror organization dedicated to supporting indie horror in the greater Philadelphia area.

Director Daniel C. Davis (Same Dance) takes a different approach with his take on the serial killer subgenre. When two underachievers are unable to land jobs due to a serial killer ruining their beach town’s tourism and economy, the duo become low rent superhero crime fighters to end the murderer’s reign of terror. Ralph (Jon McKoy) and Barry (Ethan Han) develop their new personas, Awesome Boy and Bludgeon Man respectively, to form the Defender Benders and clean up the streets in their Bender Mobile.

The film’s main antagonist causing havoc in their coastal town is a killer fisherman who yields a murderous hook. From that description, you’d might think it’s a nod to I Know What You Did Last Summer, but our yellow slicker-wearing killer resembles the Gorton Seafood’s fisherman mascot more than Ben Willis. Especially since there is no mystery to the killer’s identity by the midway point of the proceedings. Our villain also rocks a tackle box filled with body parts from his victims that he uses as bait for his fishing adventures in between kills. So as you can see, our villain is indeed a unique one, or as unique as you can be following the thousands of slasher film villains that have come beforehand.

The film’s first act really focuses on developing our two main characters as we follow their bizarre foray into crimefighting via some silly scenarios. But once they cross paths with Fish Man Sam (Jim Cannatelli) spouting his Moby Dick-esque tale of Lulu the giant Horseshoe crab, which I recently learned is a medicinal crab, the killings become plentiful, and things start to take off.

Can Ralph prove his dad wrong by rising above his slacker status with Barry to defend his turf from the evil fisherman on a serious murder bender? Or can he at least just get some form of employment and help pay their bills? Is Lulu really a horseshoe crab or just a horse shit tale? You’ll have to walk in the sands of Slaughter Beach to find out.

As you can tell by that premise, the emphasis of this horror-comedy leans more to the comedic side of the field, but there are enough creative kills and surprisingly great practical gore effects for such a humble budget to scratch that horror itch. Ever see an’80s-inspired murder spree montage set to upbeat music in a film before? Slaughter Beach checks that box rather entertainingly. Again, the montage is played for laughs versus scares, but it is nonetheless effective with its use of gore while still maintaining the film’s intended zany, off the wall tone.

Director Davis employs many slasher flick tropes such as a folklore legend used to drive the narrative, the villain casting some one-liners during their kills, ineffective and incompetent local law enforcement, and a killer mainly using a signature weapon on their prey. However, it’s all played with tongue firmly jammed in cheek, which is the right play for this type of film.

The best way to gauge your interest for whether you should watch this film or not is how you feel about Troma films. Because Slaughter Beach most certainly feels inspired by some of the older throwback films within Lloyd Kauffman’s cinematic playground in many ways. Watch this film if you see that as complimentary statement, or steer clear if you are on the opposite side of Troma’s very polarizing spectrum.

This 78-minute affair was produced with little budget, but also noticeably with a lot of heart. Not to mention a pretty killer soundtrack that really sticks out in a good way, especially during the beach scenes. It is also short enough with the right balance of levity to offer up some quick, mindless fun. And isn’t that something we all need more of in life?

Slaughter Beach can be viewed for free online right now at Tubi.

Delco Horror Haven is planning more independent film premieres throughout 2024. You can keep up to date with all their events over on the official Delco Horror Haven Facebook page.

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