Horror Reviews
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[Sundance Review] ‘Lizzie’ – Room and Borden
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[Sundance Review] Nicolas Cage Wreaks Bloody Vengeance In Nightmarish ‘Mandy’!
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[TV Review] “The X-Files” 11.03: ‘Plus One’ is the First Satisfying Episode
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[Sundance Review] ‘Revenge’ Is a Bloodbath Heavy On Social Commentary
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[Review] ‘The Midnight Man’ is a Messy, Forgettable Film
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[Review] ‘Day of the Dead: Bloodline’ More Fulci Than Romero
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[Review] ‘Desolation’ is a Timely, Bonkers Debut
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[TV Review] “The X-Files” Season 11 Episode 2: ‘This’
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[Review] ‘Insidious: The Last Key’ Plays It Too Safe
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[Blu-ray Review] ‘Black Christmas’ Finally Arrives on Blu-ray in the UK!
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[TV Review] ‘The X-Files’ Season 11 Premiere: “My Struggle III”
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[Review] ‘Insidious: The Last Key’ is the Franchise’s Best Film Since the Original
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[Blu-ray Review] No Permission Slip Needed for this ‘Trip with the Teacher’
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Ranking the Segments in ‘A Christmas Horror Story’
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[Review] ‘Bright’ Shines a Light On a Universal Theme In the Most Bonkers Way Possible
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[Review] ‘Strawberry Flavored Plastic’ is a Slow, But Thought-Provoking Thriller
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[Review] ’78/52′ is a Must-See Love Letter to Hitchcock and Filmmaking
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[Blu-ray Review] ‘Slaughterhouse’ is an ’80s Splatterfest That Hints at Something More
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One Episode of Netflix’s “Black Mirror” is a Complete Horror Anthology!
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Indie Movie Insight: The Lost Tree
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[Review] ‘Anna and the Apocalypse’ is a Joyous Celebration of Zombies, Musicals and Christmas
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[Blu-ray Review] ‘Blood Beat’: The Crazy Christmas Samurai Slasher!
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[Review] ‘Skybound’ is Campy, Entertaining Fun
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[Blu-ray Review] Taylor Sheridan Keeps His Streak of Success Alive with ‘Wind River’