Horror Reviews
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[Review] ‘Midnighters’ Is More Than Meets the Eye
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[Review] ‘They Remain’ Is a Flawed But Fascinating Lovecraftian Thriller
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[TV Review] “The X-Files” Season 11 Episode 7: ‘Rm9sbG93ZXJz’
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[Review] ‘Hell’s Kitty’ Awkwardly Lives up to Its Premise
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[Review] ‘Mute’ Will Make You Want to Scream and Shout In Joy
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[Review] Daring ‘Annihilation’ Shimmers With Emotion
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[Review] ‘Still/Born’ Delivers the Scares, Christie Burke Is a Standout
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[Review] ‘Keep Watching’: You Won’t Want To
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[TV Review] ‘The X-Files’ Season 11 Episode 6: “Kitten”
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[Review] ‘Victor Crowley’ Should Have Stayed Dead
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[Review] Messy ‘The Cloverfield Paradox’ is a Disappointing Surprise
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[Review] ‘Winchester’ Endeavors to Deserve Helen Mirren
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[Review] ‘Before We Vanish’ is a Human Drama Disguised as an Alien Invasion
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[Review] Sluggish ‘Hellraiser: Judgment’ Still Has Grotesque Charm
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[TV Review] ‘The X-Files’ Season 11 Episode 5: “Ghouli”
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[Review] ‘Class of 1999’ Is a Punk Rock Cult Classic!
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[Blu-ray Review] ‘Opera’: A Stylish Later Entry in Argento’s Filmography
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[Sundance Review] ‘Piercing’ Is a Totally Effed Up Psychological Two-Hander
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[Sundance Review] ‘Lords of Chaos’ is Gory AF Satanic Panic!
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[Sundance Review] ‘Summer of ’84’ Hits Nostalgia Sweet Spot
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[TV Review] “The X-Files” Season 11 Episode 4: “The Lost Art of Forehead Sweat”
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[Sundance Review] ‘Hereditary’ is Psychologically and Viscerally Grueling
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[Review] ‘The Open House’ is a Deeply Frustrating, Clichéd Wreck
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[Sundance Review] ‘Assassination Nation’: The Salem Wikileaks Trials