Horror Reviews
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[Blu-ray Review] ‘The Fox with a Velvet Tail’ is a Twisty Romantic Thriller
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[Review] ‘Nails’ Is an Average Thriller with Satisfying Scares
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[Review] ‘Murder on the Orient Express’ is a Lovely Ode to Old-Fashioned Murder Mysteries
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[Review] ‘Most Beautiful Island’ is a Unique and Anxiety-Inducing Debut Film
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[Review] ‘Bad Girl’ Has Fantastic Characters and Competent Thrills
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[Cinepocalypse Review] ‘Primal Rage’ Boasts Amazing Effects and Competent Thrills
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[Cinepocalypse Review] ‘Poor Agnes’ is a Beautiful and Vicious Addition to Indie Horror
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[Review] ‘Totem’ Saves Itself from Mediocrity with Shocking Plot Twist
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Double Murder Ep 66: ‘IT’ (Original vs. the Remake)
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[Review] ‘Zombie Spring Breakers’ Is a Surprisingly Effective Zom-Com
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[Review] The Overly Familiar ‘Jigsaw’ Still Manages to Be Fun
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[Screamfest Review] ‘Ruin Me’ is a Muddled Yet Entertaining Debut
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[Review] ‘Creep 2’ is a Strange and Wonderful Sequel
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[Review] ‘Devil’s Gate’ is an Idiotic Trainwreck
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[Review] ‘A Haunting in Salem’ Is Atmospheric but Forgettable
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[Review] ‘The Snowman’ Melts Under the Heat of its Own Trash Fire
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[Review] ‘Bad Match’ Is a Fun Ride Through Social Media Hell
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[DVD Review] You Should Watch ‘Beyond the 7th Door’ Right Now!
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[Blu-ray Review] Edwige Fenech Battles Paranoia in ‘All the Colors of the Dark’
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[Review] Despite the Budget, ‘Zoombies’ Captures Mindless, Undead Fun
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[BHFF 17] ‘Tragedy Girls’ Is The Millennial Horror Satire Of Your Dreams
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[Review] Bloody ‘The Babysitter’ Fails to Deliver On Its Promise; Samara Weaving is Transcendent
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[BHFF 2017] ‘Get My Gun’ Pulls the Trigger and Tells a Stunning Story of Pregnancy and Revenge
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[BHFF 17] ‘Housewife’ is a Dive Off the Deep End into Unleashed Dream Logic