Horror Reviews
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[Review] ‘Happy Death Day’ is a Sweet Little ‘Groundhog Day’ Slasher
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[Review] ‘Bad Blood’ Is An Effective But Uninspired Thriller
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[Fantastic Fest Review] ‘Haunters: The Art of the Scare’ is a Heartwarming Look Into the World of Haunts
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[Fantastic Fest Review] ‘The Killing of a Sacred Deer’ Will Be the Most Unsettling Film You See This Year
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[Fantastic Fest Review] ‘Haunters: Art of the Scare’ is a Fascinating Descent into World of Horror-themed Attractions
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[Fantastic Fest Review] ‘Rabbit’ is a Tense and Gorgeous Australian Thriller
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‘Good Manners’ Review- A Deeply Affecting Horror Fairy Tale
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[Review] ‘Tonight She Comes’ is a Brutal and Unrelenting Fever Dream
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[Fantastic Fest Review] Icelandic Slow-Burn ‘Rift’ is a Mesmerizing Exercise in LGBTQ Horror Done Right
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[Blu-Ray Review] Fulci’s ‘Don’t Torture A Duckling’ is Treated Right by Arrow
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[Fantastic Fest Review] Netflix’s ‘1922’ Oozes with Old TV Movie Nostalgia
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[Fantastic Fest Review] ‘Gerald’s Game’ is a Wonderful Adaptation of a Seemingly Unfilmable Stephen King Novel
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[Fantastic Fest Review] Barbara Crampton Deserves Better Than ‘Applecart’ (‘Dead Night’)
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[Fantastic Fest Review] ‘Brawl in Cell Block 99’ Unleashes the Glorious Ultra-Violence!
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[TIFF Review] ‘Veronica’ is a Stylish, Albeit Familiar, Possession Film
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[Review] ‘2-Headed Shark Attack’ is a Fun But Flawed Ride
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[Review] ‘Leatherface’ Fails By Proving the Saw is Family
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[Review] ‘The Houses October Built 2’ Buries So Much Franchise Potential
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[TIFF Review] ‘Vampire Clay’ is an Unintentionally Funny Mess
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[Review] ‘Gerald’s Game’ Hits ‘Misery’ Levels of Cringe-worthy Tension
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[TIFF Review] ‘Mom and Dad’ is Peak Cage (Not in a Good Way)
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Universal’s Halloween Horror Nights Orlando is a Communal Celebration of Our Holiday Season!
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“Channel Zero: No-End House” Hits “Lost” Levels of Weirdness
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[TIFF Review] ‘The Shape of Water’ is a Beautiful and Captivating Fairytale