Horror Reviews
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[TIFF Review] ‘Downrange’ is Gloriously Vicious and Mean-spirited
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[TIFF Review] ‘The Ritual’ Will Make You Reconsider a Hike in the Woods
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[TIFF Review] Occult Film ‘Pyewacket’ Succeeds by Teasing and Delaying the Horror
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[TIFF Review] ‘Brawl in Cell Block 99’: Brutality of Fights Worth the Price of Admission
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[Review] ‘mother!’ is a Bold, Fascinating, and Divisive Experience!
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[TIFF Review] ‘Revenge’ is a Bloody Revisionist Take On the Rape-Revenge Film
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[Blu-ray Review] ‘The Mummy’ is a Total Blast, Box Office Results Be Damned!
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[TIFF Review] ‘Marrowbone’ is An Overly Complicated Ghost Story
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[TIFF Review] Slow Burn ‘Pyewacket’ Delivers Brooding Heavy Metal Horror
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[TIFF Review] Familiar ‘Les Affamés’ (‘Ravenous’) At Least Has Interesting Zombies
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[TIFF Review] ‘The Cured’ is a Social Drama with Horror Undertones
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[TIFF Review] Striking Coming-of-Age Thriller ‘Thelma’ Resembles ‘Carrie’
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[TIFF Review] ‘The Crescent’ is Twisty and Nightmarish
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[Review] ‘Jackals’ is a Bloody and Violent Home Invasion Thriller
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[Review] ‘IT’ Achieves Horror Greatness as Pennywise Becomes a Horror Icon for the Ages!
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[TV Review] “Twin Peaks: The Return” Series Finale Review
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[TV Review] “American Horror Story: Cult” Explores the Nightmare That is Reality to Inspired Effect
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[FrightFest Review] ‘The End?’ is a Case of High Concept, Low Execution
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[FrightFest Review] ‘The Terror of Hallow’s Eve’ is a New Halloween Treat
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[FrightFest Review] ‘Our Evil’ is Emotionally Charged and Violent
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[FrightFest Review] ‘Veronica’ is a Hitchcockian Psychosexual Thriller
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[FrightFest Review] ‘Attack of the Adult Babies’ is an Exercise in Cinematic Disgust
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[FrightFest Review] The ‘Inside’ Remake is Messy and Unpleasant
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[Review] ‘The Ice Cream Truck’ is More Drama Than Slasher