Horror Reviews
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[FrightFest Review] ‘Double Date’ Doesn’t Manage the Horror-Comedy Balancing Act
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‘Suspiria’ Has Been Restored in 4K…and It’s <i>Perfect</i>!
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[FrightFest Review] ‘Leatherface’ is a Graceful Gut Punch
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[FrightFest Review] ‘Cult of Chucky’ Cements the Franchise as One of the Best!
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[Review] ‘Mohawk’ Proves Man is the Most Dangerous Monster
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[Review] ‘Clowntergeist’ Doesn’t Have Enough Fun with the Premise
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[Review] ‘Victor Crowley’ is the Gory Slasher Film You’re Craving!
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[Review] Adam Wingard’s ‘Death Note’ Verges on Greatness
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[Blu-ray Review] Walter Hill’s ‘The Assignment’ Has a Pretty Crazy Premise
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[Review] ‘The Forest of the Lost Souls’ is Art-House Horror of the Finest Caliber
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[Review] ‘WTF!’ is a Modern Slasher That Checks All the Right Boxes
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[Review Repost] Michael O’Shea’s ‘The Transfiguration’ is a Refreshing and Moving Vampire Tale
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[Blu-ray Review] ‘Cathy’s Curse’ is More Proof that Dolls are Awful
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[TV Review] “Mr. Mercedes” is a Solid Stephen King Adaptation
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[Review] ‘Circus Kane’ References Too Much To Stand Out
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‘Volumes of Blood: Horror Stories’ Sets the Stage for Third and Final Film
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[TV REVIEW] “Mr. Mercedes” is Sadly More Like a Busted Up Corolla
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[Blu-ray Review] Paul Naschy Goes on a Nasty Witchhunt in ‘Inquisition’
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‘Hell House LLC’ Review – A Chilling Good Time!
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[Review] ‘The Dark Tower’ Has Forgotten the Face of its Father
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[Review] ‘No Way to Live’ is a Genre-Defying Thrill-Ride
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[Fantasia Review] ‘Friendly Beast’ is an Unnerving Look at Male Inadequacy
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[Fantasia Review] ‘Dead Shack’ is the Sweetest Little Zombie Movie
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[Fantasia Review] ‘Lowlife’ is Gripping, Calculated, and Hugely Impactful