Horror Reviews
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[Review] “Little Nightmares” is a Twisted Game of Hide and Seek
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[Review] ‘Small Crimes’ is a Clever Crime-Comedy Romp!
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[Blu-ray Review] Underrated 80’s Slasher ‘Intruder’ Gets a Stunning Blu-ray Release from 88 Films
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“What Remains of Edith Finch” is a Joyfully Haunting Experience
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[Blu-ray Review] Michele Soavi’s ‘The Sect’ Gets a Wonderful UK Release
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[Tribeca Review] ‘Psychopaths’ is Visually Stunning, Lacking in Story
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[Tribeca Review] ‘The Endless’ Will Fuck Your Mind
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[Tribeca Review] ‘Super Dark Times’ is a Teenage Nightmare
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[Review] ‘Breakdown Lane’ Has Its Charms But Feels Too Familiar
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[Review] ‘Sequence Break’ Sports Strong Acting and Trippy Visuals
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[Blu-ray Review] ‘Aenigma’ May Be Lesser Fulci, but Lesser Fulci is Still Awesome
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[Review] ‘Savageland’ Disturbs Doubly With Social Commentary
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[Review] ‘The Void’ Captures The Essence of Cosmic Horror
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[Review] ‘Rupture’ Features Noomi Rapace at Her Best
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Through the Cracks: April Fool’s Edition – ‘Slaughter High’
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Celebrating the 15th Anniversary of ‘Donnie Darko’ With a Look Back at the Acclaimed Cult Classic
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[Review] ‘Mean Dreams’ Showcases Paxton’s Skill, But Is Uninspired
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[BUFF Review] ‘She’s Allergic to Cats’ Creates Emotional, Heartfelt Video Art
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[BUFF Review] ’68 Kill’ is Bloody, Hilarious Southern Gothic Madness
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[SXSW Review] Bloody and Occasionally Shocking ‘This is Your Death’ is Mostly Oversanitized Satire
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[Review] ‘Dig Two Graves’ Unearths Wonderful Acting and Story
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[SXSW Review] Michael O’Shea’s ‘The Transfiguration’ is a Refreshing and Moving Vampire Tale
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[SXSW Review] Alice Lowe’s ‘Prevenge’ Delivers Blood-Soaked Humor with a Surprisingly Emotional Core
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[SXSW Review] Finnish Slasher ‘Lake Bodom’ is an Energetic and Twist-Filled Take on a Famed Cold Case