Horror Reviews
-
[Blu-ray Review] ‘The Stendhal Syndrome’ is a Devastating Character Study
-
[Review] Ludicrous Premise, Lazy Writing Plagues ‘Bonejangles’
-
[Review] ‘War for the Planet of the Apes’ is the Perfect End to a Great Trilogy
-
[Review] ‘Wish Upon’ Is Just Entertaining Enough to Recommend
-
[Review] ‘Wish Upon’ is a Horror Lover’s Teenage Dream
-
[UK Blu-ray Review] ‘Almost Human’ Takes a Gritty Look at Italy’s Ciminal Underworld
-
[Review] Netflix’s “Castlevania” Is Immensely Enjoyable but Regrettably Short!
-
[Blu-ray Review] All the Animals Attack in Franco Prosperi’s ‘Wild Beasts’
-
Arrow Brings Spectacular Sheen to ‘The Bird with the Crystal Plumage’
-
[Review] ‘The Unkindness of Ravens’ is a Disturbing Depiction of PTSD
-
[Review] ‘Gremlin’ is Too Serious for Its Own Good
-
Looking Back at the Unofficial ‘Texas Chainsaw’ Sequel from Italy!
-
[Review] ‘A Ghost Story’ is a Somber, Meditative Film
-
[Review] AMC’s “Preacher” Returns With a Bang, and a Bang, and a Bang
-
[LAFF Review] ‘Annabelle: Creation’ is a Welcome Addition to ‘The Conjuring’ Universe
-
[Review] ‘Peelers’ Is Simple, Earnest Fun!
-
[LAFF Review] ‘Replace’ is as Superficial as its Shallow Leading Lady
-
[Review] “The Mist” Weaves a Web of Drama and Paranoia
-
[Review] ‘Awakening the Zodiac’ Falls Asleep With Its Script
-
[Review] ‘Camera Obscura’ is Too Ambitious for its Own Good
-
[Blu-ray Review] ‘The Rift’ is a Fun, Knockoff of Better Movies
-
[Blu-ray Review] Via Vision Entertainment’s ‘The Fly: The Ultimate Collection’ is a Must-Own!
-
[Review] ‘The Mummy’ – Big Blockbusters Work When Studios Put Faith in Female Leads
-
[Cannes Review] ‘Okja’ is Too Weird for Hollywood