Horror Reviews
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[SXSW Review] ‘Tragedy Girls’ Earns a Like, a Retweet AND a Follow!
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[Review] Byrne Continues Being Sweet With ‘The Devil’s Candy’
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[Review] ‘Havenhurst’ is a Gripping Thriller About Addiction
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[SXSW Review] ‘Mayhem’ Takes Killing to the Top Level
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[SXSW Review] ‘Game of Death’ is a Subpar Entry in the Millennial Horror Subgenre
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[SXSW Review] ‘M.F.A.’ Empowers and Enlightens
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[Review] ‘The Devil’s Candy’ is an Occult Delight!
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[Review] ‘Kong: Skull Island’ is the King’s Most Wildly Entertaining Outing to Date
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[SXSW Review] ‘Hounds of Love’ is a Tense Abduction Story From a New Perspective
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[Review] ‘Kong: Skull Island’ is Impressive But Tonally Uneven
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[Review] ‘Devil in the Dark’ is Visually Stunning But Lacks Depth
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[Review] “Derivative” Comes To Mind With ‘Ghost of Darkness’
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[Review] ‘Caught’ is an Escalation in Terror
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[Blu-ray Review] The UK Blu-ray of ‘The Church’ Deserves to be Worshipped
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[Review] ‘Get Out’ is an Expertly Crafted Nightmare
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[Review] ‘Raw’ is Riveting, Tense, and Absolutely Stunning
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[Review] Dead of Winter Film Festival 2017
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[Review] NECA’s Ghost Predator is Another Worthwhile Figure
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[Review] “Horizon Zero Dawn” is a Triumph for Guerrilla Games!
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[Review] ‘Logan’ is a Flawless Finale to Wolverine’s 17-Year Legacy
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[Review] ‘The Great Wall’ – Big Dopey Monster Fun
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[Review] The Interminable ‘A Cure For Wellness’ is a Feast for the Eyes
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[Review] ‘John Wick: Chapter 2’ is a Perfect, Visceral Sequel
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[Review] ‘Stake Land II’ Is A Worthy (But Flawed) Follow-Up