Horror Reviews
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[Review] ‘The Master Cleanse’ is Quirky and Funny, with Solid Creature Effects
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[Brooklyn HFF Review] ‘Child Eater’ is a Confident, Disturbing Monster Flick With Teeth
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[Brooklyn HFF Review] ‘Without Name’ is a Trippy, Delirious Time Lost in the Woods Where You Won’t Want to Find Your Way Out
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[Review] ‘The Triangle’ Immerses the Viewer in Found Footage Eeriness
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[Review] ‘Bedeviled’ Is a Familiar but Well-Crafted Supernatural Thriller
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[Telluride Horror Show ’16] Reviewing the Shorts
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[Review] ‘Under the Shadow’ is a Contender for Best Horror Film of the Year
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Destrage’s ‘A Means to No End’ is the Most Fun You’ll Have Listening to a Metal Album This Year (Review)
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[Telluride Horror Show ’16] A Recap of the Festival
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[Review] ‘Bed of the Dead’ Won’t Keep You Up at Night
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[Review] ‘Rats’ is the Perfect Creepy Documentary for Halloween
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[Blu-ray Review] ‘Slugs’ is a Creepy, Crawly 80’s Splatter Fest
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[Review] Ti West’s ‘In a Valley of Violence’
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[Blu-ray Review] ‘Cat in the Brain’ is Fulci’s ‘8 1/2’
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[Review] ‘Ouija: Origin of Evil’ is a Heartfelt Prequel that Expertly Outdoes its Predecessor
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[Review] ‘Let Her Out’ Carries a Paranoid Tone
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[Review] ‘Train To Busan’ Proves Zombie Subgenre Still Has Life
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[Review] ‘Trash Fire’ is Frequently Painful, Uncomfortable and…Funny!
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[Review] ‘The Rezort’ is a Predictable and Generic Zombie Film
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[Review] Informative and Disturbing, ‘Rats’ Is the Ideal Horror Documentary!
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[TV Review] The “Scream” Halloween Special is a Fun Diversion
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[Review] ‘Spaceship’ is Weird and Kind Of Wonderful
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[Review] NECA is Keen on Impregnating Me With a Xenomorph
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[Review] If Only ‘Personal Shopper’ Was as Divisive as You’ve Heard