Horror Reviews
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[Blu-ray Review] There’s a Lesson to Be Learned in ‘Dead End Drive-In’
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[Review] Story and Writing Get Buried in ‘Blood Brothers’
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[Blu-ray Review] Fox Does Their Best Universal Horror Impression with ‘The Undying Monster’
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[TV Review] “Salem” Episode 3.03: ‘The Reckoning’
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[NYHFF ‘16 Review] ‘The Barn’ is a Stunning Portal Into Campy ‘80s Horror
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[TV Review] “Wolf Creek” is an Unexpectedly Brilliant Show!
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4 Nights at 112 Ocean Avenue – My Journey Through the ‘Amityville Horror’
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[Review] Metallica’s ‘Hardwired…To Self Destruct’ is a Celebration of Their Entire Career
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[Review] It’s a Welcome Sight for Arrow’s LE Release of ‘The Hills Have Eyes’
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[Review] ‘Shut In’ Doesn’t Live Up to its Thrilling Premise
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[TV Review] “Salem” Episode 3.02: ‘The Heart is a Devil’
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[NECA Review Roundup] Freddy, Jason, a Xenomorph, and ‘Predator’ Ships, Oh My!
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[Review] Janice Poon’s “Feeding Hannibal” Takes Us Through the Food of the Show
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[Review] Kiyoshi Kurosawa’s ‘Creepy’ Earns its Title
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[Blu-ray Review] ‘The Earth Dies Screaming’ is a 60’s Sci-Fi Treat
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[TV Review] “Salem” Episode 3.01: ‘After the Fall’
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[Review] NECA’s Ultimate ‘Dream Warriors’ Freddy a (Good) Nightmare
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[Telluride Horror Show ’16] ‘Terrifier’, ‘Spring Break Zombie Massacre’, ‘The Windmill’ Reviews
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[NFF ’16 Review] ‘Family Possessions’ Is Kooky Fun
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[NFF ’16 Review] ‘The Night of the Virgin’ Is Disgustingly Unforgettable
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[NFF ’16 Review] ‘Diary of a Deadbeat’ Is An Honest Look At A Cult Filmmaker
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Double Murder Ep 65: Antichrist vs. The Witch
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[NFF ’16 Review] ‘Chicago Rot’ Is An Ambitious, Genre-Bending Debut
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[Review] Takashi Miike’s ‘As the Gods Will’!