Horror Reviews
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[Review] ‘Don’t Knock Twice’ Is a Better Family Drama Than Horror Movie
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[Review] ‘Phantasm: Remastered’ Shines and Terrifies Again in 4K
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[Review] Bryan Bertino’s ‘The Monster’ Gives Homage to Creature Features of the 1980s
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[Review] ‘Phantasm: Ravager’ Charms Its Way to a Satisfying Series Conclusion
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[Fantastic Fest Review] ‘Colossal’ is So Much More Than a Monster Movie
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[Fantastic Fest Review] ‘Another WolfCop’ is Even Better Than the First!
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[Fantastic Fest Review] ‘The Autopsy of Jane Doe’ Proves Brian Cox is Still One of the Best in the Business
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[TV Review] HBO’s “Westworld” Will Be Your Next TV Obsession
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[Fantastic Fest Review] ‘A Monster Calls’ is a Heartfelt Coming-of-Age Fairytale
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[Fantastic Fest Review] ‘Don’t Kill It’ Gives Dolph Lundgren a Chance to Shine
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[Blu-ray Review] ‘Cat People’ – The Jacques Tourneur Classic Comes to Blu-ray!
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[Fantastic Fest Review] Somber ‘The Void’ is Both Stunning and Disturbing
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[TV Review] Ash Williams is in Top Form in “Ash vs Evil Dead” Season 2
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[Concert Review] Russian Circles and Helms Alee in Detroit
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[Fantastic Fest Review] James McAvoy is the Reason to See M. Night Shyamalan’s ‘Split’
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[Review] ‘Rorschach’ is a Subtle and Engaging Thriller
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[Blu-ray Review] ‘Metalstorm’ is Classic Charles Band
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[Blu-ray Review] ‘Microwave Massacre’ Melts Some 80’s Cheese
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[Review] NECA’s Contra Figures Need No Konami Code
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[Fantastic Fest Review] ‘Arrival’ is Denis Villeneuve’s Most Affecting Film to Date
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[Review] Opeth’s Sorceress is Good But Nothing New
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[Fantastic Fest Review] ‘Better Watch Out’ is a Hilariously Bonkers Home Invasion Tale
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[Review] ‘Hidden in the Woods’ is Brutal and Unpleasant
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[Comic Preview] “Vampire Hunter D: Message From Mars” #1 From Stranger Comics