Horror Reviews
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‘Honey Bunch’ TIFF Review – Retro Genre-Bender Takes Bold Swings
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‘The Long Walk’ Review – Dystopian Stephen King Adaptation Packs a Devastating Emotional Punch
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‘The Texas Chainsaw Massacre’ Remake & Prequel 4K Review – Slicing Back into the 2003 & 2006 Films
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‘Frankenstein’ TIFF Review – Jacob Elordi Shines in Guillermo del Toro’s Sprawling Gothic Saga
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‘Karmadonna’ TIFF Review – Directorial Debut from ‘A Serbian Film’ Writer Delivers Bloody Excess
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‘Alien’ Meets ‘Groundhog Day’ in Live-Action FMV Game ‘Dead Reset’ [Review]
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‘The Ugly’ TIFF Review – ‘Train to Busan’ Director’s Latest Investigates a 40 Year Old Murder
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‘Alien: Earth’ Juggles Moms, Monsters & Machines in Foreboding Episode “The Fly” [Review]
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‘Demon Slayer: Infinity Castle Part 1’ Is a Beautiful, Hollow Anime Disasterpiece [Review]
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‘No Other Choice’ TIFF Review – Park Chan-wook’s Murderous Dark Comedy Has Bite
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‘Wake Up Dead Man’ TIFF Review – Gothic Whodunnit Draws from Edgar Allan Poe
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‘At the Place of Ghosts’ TIFF Review – Indigenous Thriller Boasts Strong Visuals, But a Slight Narrative
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‘The Man In My Basement’ TIFF Review – Two Great Leads Anchor Taut Psychological Thriller
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‘Cronos: The New Dawn’ Shines With Tense Combat and Oppressive Atmosphere [Review]
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‘Wednesday’ Season 2: Part 2 Is a Moving, Melancholy Meditation On Motherhood [Review]
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‘The Conjuring: Last Rites’ Review – Final Chapter Makes for a Heartfelt Farewell
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‘Alien: Earth’ Just Aired Its Best Episode With a Tribute to the Original ‘Alien’ [Review]
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‘Sinners’ Vinyl Soundtrack Review – Ludwig Gӧransson & Friends Summon Spirits With Hauntingly Good Tunes
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‘Somnium’ – Disjointed Genre Movie Manifests Hollywood Nightmares [Review]
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‘Alien: Earth’ Episode 4 Brutally Breaks New Ground for the Franchise [Review]
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‘Primitive War’ Review – Vietnam Dinosaur Movie Gets Bloody But Takes Itself Too Seriously
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‘Alien: Earth’ Episode 3 Delivers the Xenomorph Deathmatch Fans Have Wanted for Years [Review]
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‘Hell House LLC: Lineage’ Review – Exposition Heavy Fifth Entry Forgets to Scare
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‘Witchboard’ Is a Messy, Occasionally Fun Remake [Review]