Horror Reviews
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‘Deathstalker’ Review – A Bloody, Tongue-in-Cheek Sword & Sorcery Throwback
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‘The Mannequin’ Review – A Decently Creepy Mannequin Tale
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‘Bye Sweet Carole’ Charms with Its Classical Animation Combined with Dark Fantasy [Review]
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‘Lost Contact: UFOs After Wartime’ Is a Refreshingly Grounded Documentary [Review]
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New ‘Family Guy’ Halloween Special Gets Silly In Its Pursuit of the Perfect Holiday Song [Review]
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‘Match’ Review – An Uneven Tubi Exploitation Thriller
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‘Good Boy’ Review – Man’s Best Friend Leads an Emotionally Affecting Haunted House Tale
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‘Shell’ Review – Max Minghella Revives ’90s Horror with Escapist Genre-Bending Comedy
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‘Bone Lake’ Review – Erotic Thriller Goes for the Jugular
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‘Scurry’ Review – A Spider Creature Feature Hampered by its One-Shot Gimmick
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James Rolfe’s Cinematic Novel ‘Gnome Cave’ Struggles to Find Its Audience [Review]
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Blumhouse’s ‘Nightmares of Nature’ Gives Nature Documentaries a Macabre Makeover [Review]
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‘Vicious’ Review – Bryan Bertino’s Mystery Box Horror Earns Its Title [Fantastic Fest]
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‘Bugonia’ Review – Yorgos Lanthimos’ Paranoid Genre-Bending Remake [Fantastic Fest]
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‘Horror’s New Wave’ Is a Detailed Deep Dive into Blumhouse’s First 15 Years [Review]
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‘Sisu: Road to Revenge’ Review – Bigger, Bloodier Splatstick Sequel Brings Crowd-Pleasing Fun [Fantastic Fest]
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‘Marvel Zombies’ Massacres the MCU With an Entertaining Horror Homage [Review]
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‘Alien: Earth’ Burns Down the House With a Season Finale Full of Brutality & Betrayal [Review]
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‘Haunted Heist’ Review – Lil Rel Howery’s Horror Comedy Falls Flat [Fantastic Fest]
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‘The Restoration at Grayson Manor’ Review – Horror Comedy Sits on a Rocky Foundation [Fantastic Fest]
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‘Black Phone 2’ Review – Icy Sequel Goes Bigger, Darker, and Scarier [Fantastic Fest]
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‘The Strangers: Chapter 2’ Review – Messy, Sluggish Sequel Runs in Place
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‘Appofeniacs’ Review – Deepfake Cautionary Tale Thrills as Much as It Horrifies [Fantastic Fest]
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‘Coyotes’ Review – Justin Long Horror Comedy Isn’t Funny or Scary [Fantastic Fest]