Horror Reviews
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‘Witchboard’ Is a Messy, Occasionally Fun Remake [Review]
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‘Jimmy and Stiggs’ Is a Neon-Soaked, Cocaine-Fueled Alien Assault [Review]
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‘Sweet Revenge’ – Jason’s Return Vignette Is Better Than You Might Have Expected [Review]
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‘Red Sonja’ Review – Matilda Lutz Gets Fierce in Adaptation Hampered by Constraints
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Channel Surfing Turns Spooky in ‘Transmission’ [Review]
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‘Alien: Earth’ Finds Heart & Hope in a Cynical, Scary World [Review]
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‘A Game in Yellow’ Review – Hailey Piper’s Cosmic Horror Book Is Sensual and Immersive
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‘Shaman’ Deconstructs the Standard Possession Film [Review]
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While Not a Huge Leap in the Genre, ‘Dead Take’ Is Still a Memorable Experience [Review]
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‘Weapons’ Review – Zach Cregger’s Suburban Shocker Is a Dementedly Funny Crowd-Pleaser for Sickos
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‘Wednesday’ Season 2 Excels With Edgier Tone But Still Has Plenty of Kinks to Work Out [Review]
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‘Killing Floor 3’ Has the Foundation for a Great Shooter, But Currently Lacks Meat [Review]
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‘How Far Does The Dark Go?’ Review – Queer Vampire Film Is More Music Video Mixtape Than Movie
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‘Together’ Review – Codependency Horror Comedy Gets Lovecraftian
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‘Hold the Fort’ Review – Monsters Invade in Wacky Siege Comedy-Horror Movie [Fantasia 2025]
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‘Dollhouse’ Review – Cursed Doll Movie Is Silly and Self-Aware [Fantasia 2025]
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‘Haunted Mountains: The Yellow Taboo’ Review – Time Loop Ghost Story Gets Lost in Woods [Fantasia 2025]
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‘Twisted Metal’ Season 2 Is Peak Escapist Demolition Dystopia [Review]
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‘Peau à Peau’ Review – A Postpartum Nightmare [Fantasia 2025]
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‘Hellcat’ Review – A Deceptively Simple Chamber Piece that Surprises with its Horror [Fantasia 2025]
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Fantasia 2025 Capsule Reviews: The Girls Are Not Alright in ‘The Serpent’s Skin’, ‘Foreigner’ & ‘Lucid’
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‘Mother of Flies’ Review – The Adams Family Visit the Witch in the Woods [Fantasia 2025]
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‘House on Eden’ Is Frustrating Found Footage That Should Have Stayed Lost [Review]
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‘I Am Frankelda’ Review – Mexico’s First Stop-Motion Film Is Ambitious & Stunning [Fantasia 2025]
