Horror Reviews
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[Review] ‘Animal’ Brings Practical Back to Creature Features
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[Album Review] Marilyn Manson ‘The Pale Emperor’
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[BD Review] ‘Gnome Alone’ Is a Bad Joke That Neither Entertains or Scares
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[Slamdance ’15 Review] ‘Body’ Is a Morbidly Satisfying Thriller
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[Review] ‘It Follows’ Is a Classical Horror Masterpiece
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Advance 5 Skull Comic Review: ‘Space Riders’ #1 Is Fucking Sublime
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[Sundance ’15 Review] Eli Roth’s ‘Knock Knock’ a Glorious Taboo Thriller!
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Advance Comic Review: We Can Never Go Home #1 Will Teach You About Yourself
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[Review] ‘The Boy Next Door’ Is Surprisingly…Cheesy
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[TV Review] “AHS: Freak Show” Finale – Ep 4.13, ‘Curtain Call’
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5 Skull Advance Comic Review: MAYDAY #1 Is A Critical Dissection Of Hollywood Culture
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[TV] “Arrow” Recap: Left Behind
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Comic Book Review: “Zombies VS. Robots” #1 Is Quick, Expressive, and Clever
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Comic Book Review: “Spread” #5 Is All About Hope
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Comic Book Review: “Millennium” #1 Is A Welcome Return For Fans and Newcomers Alike
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Comic Book Review: “Rumble” #2 Is The Lovechild of Louis C.K. And David Lynch
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Comic Book Review: “The Valiant” #2 Is A Thrilling Read
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Comic Book Review: “Ivar, Timewalker” #1 Is Time Travel At Its Most Exceptional
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Comic Book Review: We Dare You To Read “Intersect” #3
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Comic Book Review: “Burning Fields” #1 Humanizes The Horror Of War In Gruesome Ways
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Comic Book Review: Clive Barker’s Hellraiser: Bestiary #6 Delivers A Frenzy Of Disturbing Sights
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[TV Review] “The Flash”: Episode 1.10, ‘Revenge Of The Rogues’
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[Review] Flawed Story, Weak Characters Cripple ‘Attack of the Morningside Monster’
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[Review] ‘Dark Mountain’ Copies ‘The Blair Witch Project’, Adds Nothing Else