Horror Reviews
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[Review] Shudder’s ‘The Queen of Black Magic’ Conjures Up Gory Horror
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[Review] ‘The Medium’ Echoes Classic Horror Games, But Still Has Its Own Modern Identity
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[Review] ‘The Night’ is Atmospheric, Stylish Psychological Horror
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[Review] ‘Psycho Goreman’ Puts Emphasis on Goofy Gory Fun
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[Review] ‘Hunted’ Infuses Fairy Tale Retelling with Modern Realism
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[Review] “Servant” Season Two Gets Darker and More Unhinged as It Leans Into the Supernatural
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[Review] Álex de la Iglesia’s “30 Coins” Tells Compelling and Unique Horror Tale of Biblical Proportions
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[Review] “A Creepshow Holiday Special” is a Mixed Bag of Presents
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[Review] Netflix’s “Sweet Home” Replaces Zombies with Monsters in Repetitive Apocalypse Tale
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[Review] Stephen King’s “The Stand” Emphasizes Characters Over Stakes in Bold Reimagining
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[Review] ‘Monster Hunter’ Delivers on Big Monster Mayhem Fun
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[Review] ‘Minor Premise’ Explores the Madness of Self With Superb Writing and Technicality
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[Review] Survival Thriller ‘Hunter Hunter’ Packs a Surprising Gut Punch of Catharsis and Grim Realism
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[Review] Pandemic Thriller ‘Songbird’ is a Messy, Disjointed Cautionary Tale
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‘Millennium After the Millennium’ Makes a Case for Why the “Other” Chris Carter Show Was So Much More [Review]
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[Review] Stylish ‘Archenemy’ Offers a Violent, Gritty Deconstruction of the Superhero Genre
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[Review] ‘Killer Klowns’ Creators Deliver Stop-Motion Holiday Magic With Netflix’s ‘Alien Xmas’
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[Review] Bella Thorne-Starring ‘Girl’ Offers Twisted Yet Routine Tale of Revenge in Neo-Noir Thriller
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[Review] ‘The New Mutants’ Is a Messy and Weak Horror-Lite Superhero Origin Story
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[Review] ‘Observer: System Redux’ Restructures Bloober Team’s Cyberpunk Horror Gem Into Something Greater
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[Review] Expect Flawed, Schlocky Fun from New Troma Movie ‘Shakespeare’s Shitstorm’
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[Review] ‘Ghostrunner’ is a Brutal and Bloody Cyberpunk Challenge That’s Often Frustratingly Repetitive
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[Review] “Treehouse of Horror XXXI” Brings Killer Toys, Interdimensional Travelers, and Deadly Time Loops to “The Simpsons”
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[Review] ‘My Dead Ones’ Explores a Fractured Mind Through Experimental Voyeurism